Quantcast
Channel: Strawberry Fields Whatever
Viewing all 221 articles
Browse latest View live

Old Man John Lennon

$
0
0


I clicked on the link to this super-trashy Buzzfeed post entitled "What Deceased Music Legends Would Look Like If They'd Made It To Old Age" expecting it to be a chill mix of inaccurate and semi-offensive, but it turned out that whoever made these weird Internetty face-meld pictures did a kind of inspired job of it (although they really shit the bed on their wildly-schlumpy depiction of fortysomething Kurt Cobain; I think it's nuts to assume that 2013 Kurt would have had a goatee. Kurt Cobain had his ear to the ground, and goatees are out of fashion. Let's get real here). 

I was hoping there'd be a John Lennon one because duh, I'm obviously obsessed with the Beatles, and then there was, and it is BEAUTIFUL. He looks so English and gentle and he's wearing a) earth tones and b) a turtleneck. His gaze is loving you but also daring you. I've had a pretty good run of not having any emotional breakdowns about John Lennon's death in a couple years but this photo definitely ruined my winning streak. I think it's 100% on the money and that the people who made this picture are actually crazy psychic mystics who travelled here from a parallel Universe where John Lennon is alive to tell us all the TRUTH about what John Lennon truly grew up to look like. 

IN CONCLUSION: John Lennon was one of the coolest humans ever to happen, his death was messed up, and if he were alive I would have figured out some sort of way to be his intern, I know I would have, and we would have been a cool duo, Old Man John and I. I just want to drink wine and talk shit with the old dude in a library. Not, like, a public library- a library in a person's home. In his home. Me and John and a very musty smell and a ladder. 

-LJ

I Love the Best Show Forever

$
0
0


           BY JEN

            Last night was the last episode of the Best Show on WFMU. The show is over as we know it.  
         
            I love the Best Show so much I don’t know how to talk about it. I talk about it all the time and never say what I mean. It’s a radio show, yes, but it’s more than that. It’s about warmth and community and comedy and music and it’s about something else that probably doesn’t have a word because it’s so Best Show specific. Maybe it’s a mispronunciation of a word that means something all encompassing about how massively hugely loved the Best Show is.

            The Best Show has been on WFMU for 13 years and sadly I only got to listen every week for a year and change. I don’t know why I didn’t find it earlier – I was so close. I’m thankful for the short time I’ve spent with the Best Show. I’m also very thankful for the archives and for all of the Best Show Gems.
            
            The show is like a friend or a blanket. It’s comforting and dependable. It radiates kindness even when Tom Scharpling is hanging up on callers. I consider it a feminist show, and Scharpling is a feminist art hero to me. This may be my delusional own thing, but sexism is called out for sure and my existence is never the butt of a joke. A few weeks ago a caller called in to thank Tom for his non-sexist humor. I may have cried.

            I’m going to miss hearing Tom talking about everything and anything. How terrible Tom Waits is. Starbucks. Panera bread. Pinball. Feeling dumb.  All of it. I’ll miss hearing bad callers get Bad Companied (slow fade in of the song Bad Company by Bad Company with a hang up as the chorus kicks in). I’ll miss hearing Gary the Squirel talk about #showbiz and #snacks. I will miss seeing which demented Wurster character is calling in this week. Philly Boy Roy, I love you, shine on you crazy diamond. I’ll miss it all. I guess I can go out on Tuesday nights now, but who cares?

            I made this shrine last night while listening to the show. The show started at 9 and the sticker letters came out. It had to happen. I cracked open a Coors Light (chi-ku)  in celebration of AP Mike and listened to the last episode of this perfect show. It was hilarious and beautiful, a total victory. I cried a little but not too much. I cried a very appropriate amount. I consider the show one of the great loves of my life and thank Tom Scharpling, Jon Wurster, AP Mike, Gary the Squirrel, and  Vance the Puppet with my entire soul. I’m so excited to see what they do next. Best Show for Life.

Let's Watch 'Greenberg' Instead of 'It's a Wonderful Life' On Christmas Eve This Year

$
0
0

WORDS BY LIZ, IMAGE BY JEN

I held off on watching Greenberg because every single person/reviewer was like, "OH MY GOD SO DARK, Ben Stiller is so loathsome, just the worst." I'm not very into movies largely populated by loathsome characters; I just don't find it all that amusing or exciting to watch people be miserable assholes to each other for 90 minutes. But then a few Thursday nights ago I slept like hell and on Friday I didn't have heaps of work to do, so I took a sick day. First I watched Frances Ha, the first Greta Gerwig movie I've ever seen. Frances Ha bugged me for the first half-hour or so, but then I loved it and I loved Greta Gerwig and I wanted more of her. I watched The Dish & The Spoon (wonderful, adorable, such a weird sweet heartbreaker), and then I watched Hannah Takes the Stairs (two and a half out of four stars), and then I watched goddamn Greenberg. I put it on because it was there to be watched, and told myself I could shut it off at any time if I started hating everyone in a life-sucking sort of way.
       But I loved loved loved Greenberg; it was very much the highlight of Greta Gerwig Sick Day Film Fest. To me there is absolutely nothing loathsome about Greenberg the movie, or about Greenberg the character. I truly have zero understanding of why anyone would hate Roger Greenberg, and the only explanation I can come up with is so cynical, something about people being too ungenerous and unimaginative to feel any love for someone who has a hard time living in the world; they mistake his anxiety for aggression because it makes them anxious too. Is that it? I really don't know.
      I recognize that Roger is an asshole but I don't quite hold it against him, though I don't feel bad for him either. He's a kicked puppy who's done all the kicking himself, and he's sort of trying to stop and maybe he's going to work it out. I thought it was so sweetly hopeful. So that's the main reason why you should watch Greenberg instead of It's a Wonderful Life on Christmas Eve this year, if you're into the ritual of watching edifying and delightful movies the night before Christmas. Here are four more reasons, and they don't even include Chris Messina and Mark Duplass and Serge Gainsbourg and "Jet Airliner," although of course that's all important too:


RHYS IFANS. I have three main dude types: the first is the dark-haired, slightly bug-eyed, vaguely Ichabod Crane-esque look of Ian Svenonius and the guy who played Josh on 30 Rock; the second is that sandy/pasty/hair-color-matches-skin-tone thing best represented by the Culkin Brothers and Vincent Kartheiser and the first boy I loved in L.A.; and the third is the rugged Welsh beauty of beautiful Rhys Ifans. He's the Greenberg character I'd most want to hang out with, he's so irrepressibly kind and patient with Roger; he's got lovely manners and that cool beaten-down-by-life-but-still-totally-chill vibe. I love his beard, his blondeness, his nice blonde beard. I love the first scene he's in, with Ivan and Roger's amazing conversation about the movie Gung Ho. All of Greenberg is worth watching for that goofy little 13-second chat about the movie Gung Ho, this I swear to you.


MAHLER. The best movie dog ever, maybe? Marissa made this cool point about how Roger's carefulness with Mahler is one of the things that most redeems his character, which is neat to think about in the context of Wes Anderson and that theory of how "offhand and  abrupt acts of canine disregard are examples of the slightly anti-social lack of sentimentality that runs through all of Anderson’s work." And when Roger wakes up on the floor after the party and looks up to see Mahler's cute li'l paws hanging over the edge of the couch, my heart just sings. I want a German Shepherd for Christmas. Also: a cinnamon tree.


FLORENCE. Before I saw Frances Ha my friend Rachel told me that Frances reminded her of me. And then I watched the movie and spent the first half-hour deeply worried that I'm generally perceived as someone who galumphs around acting like a complete idiot all the time. My big prob with Frances Ha, initially, was I just felt like "Nobody is this much of an idiot. You couldn't be this idiotic and exist in the world and not, like, die." But then I got over that, because it's not true, and I started to love Frances and her bonkers exuberance. In Greenberg that joie de vivre is a little tempered but it's still palpable, in Florence. They made so many brill choices with her character, like how she sings a Shawn Colvin song at her show and it's both beautiful and lame, but mostly beautiful, and how she wears her rad Henry's Tacos shirt with that big chunky cardigan, and how she's got a copy of the Sarah McLachlan album Fumbling Towards Ecstasy on CD in her car.


And then that scene when Florence is drunk and singing and dancing around to "Uncle Albert/Admiral Halsey" in her apartment: that is the scene of my heart. Of course Florence loves Paul McCartney, specifically Ram-era Paul. It's whimsical and fanciful but still a little melancholy, and there's some kind of reaching for something lovelier and groovier than what you mostly get in the real world. Plus I never knew the lyric was "Hands across the water, heads across the sky" - I thought Paul and Linda were singing "hands" both times. But "Heads across the sky" is so good. Florence has her head in the sky, kind of, but she's still really good at being on Earth. That is so true to the spirit of Paul.


Oh and that part in the "Uncle Albert" scene when she's talking on the phone: we really need more cinematic representations of "what it's like sometimes when women wear tights." The only other one I can think of is Courtney Love in 200 Cigarettes, making out topless with Paul Rudd in the bar bathroom, her fishnets pulled up to her belly button. Super-real.


ROGER. I've hardly ever agreed with any other fictional character more than when Roger and Ivan are at Musso & Frank's and some loudmouth nerd at the next table is clapping in response to a joke, and Roger says the thing about how "Laughter already demonstrates appreciation - the applause seems superfluous." I feel like that's one of those lines that people who hate Greenberg/Greenberg are put off by, but I'm of the opinion that criticism of obnoxious/hyper-extroverted behavior isn't necessarily a symptom of misanthropy. I mean yeah he's a total dick about it, but I think it's nice and refreshing to see someone making a case for the relative underratedness of being a little quieter.


My favorite Roger moment though is when he's making the mix CD for Florence and blasting "Strange" by Galaxie 500 in the house, alone, getting really nerdy about it and making mixtape notes in his dumb little notebook. When he puts the asterisks on the CD, I get teary-eyed. Those asterisks are so lame and beautiful too.


Also Ben Stiller's delivery of the line "Shall we split the Corona?" is so perfect, I die every time. I mean why can't more guys be like that: stealing your Corona Light, compulsively reapplying their chapstick, serving store-bought guac and chips and creamsicles at their loser-y pool parties, ripping apart James Franco's brother and all the other horrible millennials but being terrified of them too (and owning up to that), making "whiskey" and "ice cream sandwhiches [sic]" the sole items on their grocery list. It's all so endearing, and stupidly tender. Roger Greenberg endears me to no end. Here's a good Christmas carol for everyone:

The Music We Loved Most In 2013

$
0
0
2013 Was Not Really A Huge Music Year For LJ



2013 was not really a huge music year for me. It was a food year and a life year. I worked very hard and I got a lot of things done in the very standard way that you're supposed to; it didn't leave me too much time to do much wandering or reflecting. No sitting on too many docks of very many bays. When I think of all the songs that moved me most this past year, I think of specific moments rather than phases or vibes. Hot Love was crossing the street west-to-east on the south side of Bathurst at Bloor last February. It was late into the month, past Valentine's Day, and I was wearing one mitten. I was on my way to go buy a new pair of mittens, which made me angry- I'd been hoping I could make it through the end of winter without having to buy a pair of mittens again, and the fact that I didn't made me feel like winter was lasting longer than it should have. I resented it. As I crossed the street I pressed "next" on my iPod on shuffle and Hot Love came on. It was what Valentine's is supposed to be- happy and hoppy, hoppy like a cute bunny jumping and also hoppy like a complicated beer. It fixed things. It reminded me to care about T.Rex and caring about T.Rex overtook me like the rush you feel after smiling. Marc Bolan is one of the most important artists ever to have spoken to me and he never would have if he hadn't that one weird day. 

Daisy Glaze is from the spring. For some reason I always hear that song as if someone- Alex Chilton, I guess- is swimming in a pool and singing up at me from underneath translucent Yves Klein blue. Daisy Glaze is one of the only times in my life when the song from the album with the best name is also the one I love the most. Life is so good when that happens. 

On Cinco de Mayo I kissed my boyfriend for the first time. It was one of those times when you finally kiss the boy you've had a crush on forever and you think everything's going to happen but as it turns out nothing happens. You're all nervous-excited to see him the next day, your pupils are hearts and the animator is drawing trails of hearts flying out of your head, and then you show up and he's being dull and work-oriented and it's crushing. Then you have to live out the next week of hoping for the best but expecting the worst and accepting it and it's just a generally shitty thing to go through, especially when the dude's your boss, which he was. But oddly, the Universe sent another boy into my life to temporarily distract me- the only Leo I ever kissed. I kissed him seven summers ago and then some lame Tuesday night seven years later and he saunters into my restaurant ten minutes before the kitchen closes, smelling like a dusty bookcase and accompanied by his little brother. I gave them free drinks duh, and for about twelve days I could tell the Leo and I were both thinking "Hmm"- the allure of unfinished business enhanced by the why of "Why did life bring us back together?" and somewhere in the middle of those twelve days, I had to run to the liquor store to buy Bacardi on my break. It was a work-related errand; I would never drink Bacardi, blecch. I  rode the subway one stop to an ugly liquor store inside an ugly underground mall, and I was bumming hard because I knew I'd never love the Leo the way I loved this other guy- my boss who'd become my boyfriend- and I listened to Daisy Glaze on repeat the whole way there and the whole way back, waiting in line holding 3 squishy bottles of Bacardi made from some newfangled 2013 booze bottle material, and I misheard the lyrics and thought that Alex Chilton was singing "I'm trying to look sad about you," and I envied him- I've never had to try and look sad about anybody, I just naturally look it. But really he's singing "I'm driving alone, sad about you," so don't worry. I'm not alone. 

The rest of spring was Machu Picchu and Wakin On A Pretty Day- Machu Picchu was in April, the month I got promoted to assistant manager of my old restaurant and decided that I would openly and unapologetically love the Strokes forever- great decision. On the second day of the month the city of Toronto turned off the water in my restaurant's neighbourhood so they could repair a pipe or whatevs. We closed for lunch and dinner, and my future-boyfriend-boss and I came in to clean the entire restaurant. I got down on my hands and knees and cleaned all the muck and grit and rotten lime wedges out from underneath the bar fridges listening to the Strokes' entire discography on shuffle and every time this song came on it was like someone was feeding me a pina colada and some dirty bad-for-me cheeseburgers intravenously. Wakin On A Pretty Day fasts forward into my May, mostly just walking to work early- I served brunch then- and remarking upon how green the trees were- no. I'm selling myself, and the Universe, short- the greenness was astounding. Chill music tricking me into feeling chilled out, though today it just makes me tired. I listened to Freaks a lot then too. It's a cool song. One night I was lying down on one of the banquettes at my old restaurant waiting for Mark to finish, White Album on the speakers, and my two impish line-cooks, young people from today who don't know how to understand that Ob-La-Di Ob-La-Da is actually, somehow, cool, hijacked my iPod and played Freaks loud, started dancing with their arms and knees to make some point about how the Beatles aren't good. I thought it was sort of sweet.

Miss O'Dell is my favorite song (you can read about it here), and this was the year I found it, which is a cool trait in a year: The Year I Found My Favorite Song. Isis was another very important thing that happened to me. 2013 was also The Year I Found Bob Dylan- earlier when I was writing about Marc Bolan I wrote a sentence about how Marc Bolan and Bob Dylan are the two halves of me and then I deleted it because I felt like I was being mean to Ray Davies, but now I'm thinking that maybe Ray Davies is my Sun Sign, Marc Bolan is my Moon Sign, and I'm Bob Dylan Rising. Wow. Okay, I feel like I just figured my entire life out. 

I hope to write about Isis in a more in-depth way as a part of my ongoing Ten Bob Dylan Songs I'd Rather Die Than Live Without in the future, so for the time being I'd just like to shout out the song lyrics I was thinking about turquoise, I was thinking about gold for changing my fucking life with how cool and beautiful they are as well as the part when he sings I was thinking about Isis, how she thought I was so RECKLESS, the way he sings the word RECKLESS- he tastes it, like he's eating it- you can tell he's not just being the character in the song anymore. You can tell that Bob Dylan really sees himself as a reckless guy, that every woman he's ever loved has sighed over his recklessness, and every time I feel like maybe I've grown up and moved on, that I don't care about any crazy thing I actually care about and am only A Person With A Job, his RECKLESS reminds me that I am what I am, that I haven't, that I can't be. 

(Last but not least: if you'd like to win a copy of this mix CD, along with a handful of Strawberry Fields Whatever stickers and maybe something else depending on how busy I am that day, please email a cool response to the question What's your favorite song on Blonde on Blonde and, most importantly, WHY? to laurajanefaulds at gmail by the evening of January 5th; I don't know how I'll pick a winner, but I know that I will.)


2013 Wasn't an Especially Big Music Year for Jen Either



Seeing The Punk Singer reminded me that Bikini Kill is my favorite band. In the film Johanna Fateman says something like, “they weren’t the best girl band, they were the best band”, and she’s right. The songs are as important and emotional for me today as they were when I first heard them as a really angry baby teen.






I got super into the B-52’s for a while.  The outer space/big hair thing was exactly what I needed. Mostly the first 2 albums but I also became especially obsessed by "Girl from Ipanema" goes to Greenland. The Song. The video. THE VIDEO. It  also has the most true truism in the lyrics – wherever you go, there you are, which is so comforting and depressing at the same time.



The "Theme to Female Trouble" by Divine is my #1 song of the year. Even if it had nothing to do with John Waters I would love it. Luckily it has everything to do with John Waters, the world’s most perfect man. I don’t know how to write about music in that way where you can hear it. There’s a definite groove, and amazing lyrics like, “hey spare me your morals/look everyone dies” and "I'm Berserk!/ I like it fine". I’m also pretty into Divine’s disco hit, “I’m so Beautiful."



As always, The Monster Mash remains one of my most favorite songs.

Body/head Coming Apart, is a dream of a record for me.

The songs on Weed Hounds upcoming album are all cool and lovely, but also top secret so you can’t hear them yet.

Tom Scharpling had been ending the music portion of the Best Show with a song by The Sweet for most of the year. I’ve grown to really love “Blockbuster” especially. I’ll continue listening to it at least once a week from here on out in honor of The Best Show, one of the great loves of my life. I will also listen to a lot of Led Zeppelin in 2014.

I became interested in Grimes as a person before I listened to her music. I listened to a few seconds and felt it was too sweet and not for me. It felt like swallowing sugar.  After following her on tumblr for a while I gave Visions another try and was surprised to find I really liked it. Like, a lot. It’s not so sweet and I’m not sure what my problem was but now I love Grimes.

I saw the flawless goddess Julie Klausner's cabaret show at Joe's Pub this year. She & Bridget Everett covered the Monkees song "Nine Timed Blue". I wondered - why don't I listen to this song constantly all of the time? Then I started listening to it constantly all of the time, along with other Mike Nesmith Monkees songs. 

I listen to Fleetwood Mac’s Tusk and Helium’s The Magic City repeatedly while in the studio so they are both forever and permanently on my best music of every year list. Forever.


Liz's 2013 Was Sweet Like Cinnamon

That's a picture of a fortune I got with my fried rice at a Manchu Wok at the Salt Lake City airport, on my way back to L.A. from Tennessee last May. Right before I left for my trip I finished the first draft of my book, and in Tennessee I went to Graceland and ate chess pie and drank lots of beer and whiskey with my cool buddy Alissa and saw Gram Parsons's Nudie suit and had brisket and french fries and a strawberry Coke at a barbecue place because I once saw a picture of Big Star eating there, and then when I got back to L.A. this crazy thing happened and it was crazy.

Anyway my point was it was a BIG WEEK and full of fun and steeped in the richness of life, and the fried rice was fantastic. On the drive home from the airport I stopped at an In N Out by the side of the highway and got a strawberry milkshake and listened to "Hot Burrito #2" by the Flying Burrito Brothers, which is one of the songs I put on this Spotify playlist I just made. It pretty nicely encapsulates my year and it's got songs by Dinosaur Jr. and Johnny Thunders & The Heartbreakers and Beyonce and Deerhunter, plus all of these fine-looking people: 

BLAKE BABIES & LANA DEL REY. My number-one song of summer 2013 was "Out There" by Blake Babies tied with "Cola" by Lana Del Rey. I associate "Cola" with the Friday afternoon in June when my little sister and her bestie were visiting, and we went to Beverly Hills and bought cupcakes and brought them to Farmers Market and ate them with champagne: it was Lana Del Rey's birthday and my cupcake was cinnamon, as in "Now my life is sweet like cinnamon/Like a fuckin dream I'm livin in." And "Out There" is driving thru the drive-thru at the Dunkin Donuts near my parents' house on a hot rainy Tuesday or Wednesday at the end of the July, and getting a big iced French vanilla coffee, and going to a used bookstore and buying a big stack of used books. Each of those songs is an anthem in its own weird way, and I like the vibe and ridiculousness of swirling together Lana Del Rey's sleazy/glamorous L.A. princess thing and Juliana Hatfield's lonely/glamorous hiding-in-her-bedroom thing and letting them mean something great and grand about me and everything.

COURTNEY BARNETT. Courtney Barnett is a 25-year-old from Australia and my favorite new music person I found this year. I dig her chill romanticism, how it's both dreamy and pragmatic, but more than anything I'm in love with her vocabulary. In "History Eraser" she sings about margaritas, "You Can't Always Get What You Want," French kissing, soccer players, ducks, dudes, vermouth, a farm. In other songs she sings about asthma attacks, radishes, schmoozing loser-y users, masturbation, marijuana, flowers and porcelain and coffee and TV. Her songs are the kind of stories I wish were little movies, and the sex scenes would be so sweetly awkward, like something from an alternate universe where Girls  is a world you actually want to know more and more about instead of less and less.

ALEX CHILTON. I feel like this is maybe a pretentious or dickish thing to say, but I don't really think about Big Star when I think of my Alex Chilton tattoo. I think of shit like the song "Walking Dead" and its fucked-up creepy nowhere-going beautiful bullshit, and of Alex looking like this - a cool sicko who can't ever help being at least a little bit wonderful:


BIG STAR & THE KINKS. But sometimes I think about Big Star, obviously. "You Get What You Deserve" is the Big Star song that means the most to me right now: the guitar solo at the end always undoes me (it's so mean, and golden), and I really want to make a movie that's got the guitar-solo part in some fucked-up funeral scene where elegant women are drinking white wine with perfect fingernails. But "Till the End of the Day" was really sweetly pushy about being heard by me all the time this year, especially in bars. I heard that song in a thousand bars in 2013, or maybe about three, and it was always perfect. Big Star and the Kinks are both so good at being non-annoyingly perfect.

THROWING MUSES. This year I got to talk to Tanya Donelly and Kristin Hersh on the phone (separately, for this interview and this other interview). I interview people/musicians all the time for work, but Tanya and her stepsister Kristin are some of the only people/music-makers who've ever actually been like, "And how are you?" - and then really listened when I answered, and asked me more questions in response. They both told me how they love Los Angeles, and Kristin said something about how L.A.'s "like Mexico City, but with parking," which is a cool point. (She also told me how she'd recently baked a cake and thrown the leftovers into the woods to feed the coyotes, and how her dogs kept going into the woods and coming back with huge pieces of cake in their mouths, which is an image that's really stuck with me.) So anyway I adore and worship them, and Tanya's Swan Song Series and Throwing Muses' Purgatory/Paradise are the two new pieces of music that most fed my head and heart this year. I also got really into the Throwing Muses back catalog and listened to "Not Too Soon" all the time every day for the first time in so long. And the video: I could live forever and never get enough of Tanya's eyebrows and headband, the epic beauty of it all.


Other music things that were important to me this year but not represented in my li'l compilation of songs:

-the new Devendra Banhart album, especially the song about the nun who becomes a VJ

-seeing the Breeders, seeing Kim Gordon, seeing this dude I worked for open up for the Pixies and totally kill it and blow the whole place away, seeing the Lemonheads and Buffalo Tom on the Boston Common on the hottest day in the world, seeing Juliana Hatfield and her new band Minor Alps whose album Get There is so top 5 of 2013

-listening to the Rolling Stones on a Tuesday morning in Joshua Tree after having champagne and bagels for breakfast in a trailer park the day after the meteor shower

-"Peace of Mind" by Mikal Cronin and its beautiful video with my beautiful hero Mary Timony

-"Hot and Cold" by Mary Timony's new band Ex Hex

-LOU REED LOU REED LOU REED LOU REED especially "Cool It Down" and "Sister Ray" and always "Rock and Roll"

-Chris Bell's I Am The Cosmos, everlasting soundtrack to my insomnia

-"Black Skinhead" which never gets old, will never die

-"SMS (Bangerz)" by Miley & Britney

-Wild Animals by Juliana Hatfield

-Walt Whitman Mall by Bill Janovitz

-The Courtneys by The Courtneys

-finally falling in love with the Pretenders and the Police

-finally falling in love with Hootenanny by the Replacements

-loving everything about the Replacements in general, including how they just look really great standing on a sidewalk and eating pizza and are so tough and glorious and perfect and awful and everything:


Some Cool Shit I Wish I Owned, by Laura Jane

$
0
0
1. Venessa Arizaga Jewelry





If Strawberry Fields Whatever was going to have an official, or unofficial, jewelry designer, I would definitely have to make it be Venessa Arizaga. There's a lot of weird and beautiful things to look at on her website, which you can find by clicking on her name in the heading of this section. The bracelet seen above is called the Hawaiian Punch bracelet- my favorite part of it is the kiwi fruit, and how it makes me remember the taste of Hawaiian Punch on my tongue. She also names a lot of her jewelry after songs, songs that I love; most impressively, there's a Dear Landlord necklace, which is a very strange choice of Bob Dylan song to name a necklace after. I really have no choice but to support a jewelry designer who names her shit after John Wesley Harding album tracks. 

PS: Also I think that SFW needs to have bonkers Venessa Arizaga friendship bracelets! This bracelet is called the Makai bracelet, and I think Jen May should have it: 



& this bracelet, called the Kamikaze, is for Liz:



2. Welcomecompanions Howlin' Wolf Purse


Lately I've been dressing pretty boring and sexy because I'm a boss and want to be feared a little, so this wolf-shaped bag really hits the spot and honours my boring sartorial present and wacky sartorial past at the same time; plus what the fuck is the fucking point of wearing something not-animal shaped if there is an animal-shaped option available?  

Welcomecompanions is a really weird brand; their website is worth checking out. The concept is, they make things that look like other things. For instance, this really gorgeous banana-leaf shaped purse (I would still rather a purse was shaped like a leaf than not-a-leaf, even though a leaf is still inferior to an animal) 






I posted the link to this page of fantasy animal babies to my Facebook wall and the link did this really trashy thing where the picture it attached to the link said IT'S SCARY HOW REAL THEY LOOK. A RUSSIAN GIRL MADE THEM AND NEVER EXPECTED A HUGE RESPONSE... and there was nothing I could do but accept the fact that my Facebook page was going to look lame in an Internetty way which I guess it does implicitly for being a Facebook page. But my point is, it was worth it to me, because look at this little cheetah baby alien!  


And look at this little deer baby alien! I feel like Kanye West should buy some of these for Nori. 


Speaking of Kanye, look how fucking awesome this Kanye-coat is!


Kanye-coat, I really like the word Kanye-coat. Kanyecoat. This whole collection is definitely the best effort I've seen from fashion-Kanye to date, there's a sweater that says "Le Ski," which is nice. There are a couple of misses, like a collarless white maybe scuba-material jacket with elbow-length sleeves, but isn't that the greatest part of Kanye West? The misses?

The rest of the collection is mostly just chill and sexy dude clothes that would make me want to kiss the men wearing them if I ever had the good fortune of seeing a man wearing them. Excellent Kanyecoat after excellent Kanyecoat after excellent Kanyecoat.


In the traditional Kanye West style, Kanye accompanied this collection with a very long and weird speech that begins, It's like if you had a housekeeper, and she was the best housekeeper in the whole world, and she said she had the idea to start being a florist. You would pay her three times as much to not follow her dream of being a florist. That point about paying her three times as much to not follow her dream is SO not where I saw the housekeeper/florist metaphor going! I thought it was going to be about helping your housekeeper.

Everyone I'm in Love with in the Big Star Movie

$
0
0

BY LIZ

I saw the Big Star documentary at a press screening last May and I loved it, because it's about Big Star. It also kind of bugged me, for reasons that are unfair, like how so tragically little footage of Big Star exists in the world. After a while I got antsy watching a bunch of dudes talk about how great Big Star is (even though those dudes include Lenny Kaye, who's basically my favorite person). But now the movie's streaming on Netflix and I rewatched it last Sunday and it was less antsy-making: probably because I knew what to expect, but also because I watched it in bed in my PJs when it was nice and hot and sunny out. Bed is the best place for watching a Big Star movie; Big Star is very closely associated with sleeping and dreaming and being lazy and feeling perfect about it, at least in my book.

The movie's called Nothing Can Hurt Me, by the way, which is so smart. It's a lyric from "Big Black Car," which is maybe my third favorite Big Star song, I think? If you could get songs tattooed on your body - not song lyrics but like actual songs, with their complete actual sound and aura - then I'd get "Big Black Car" tattooed on myself. But you can't, so I got Alex Chilton's name tattooed on me instead. So here is a list about Alex, and everyone/everything else I love in the Big Star movie:

i. ALL OF BIG STAR, ALL TOGETHER


For some reason the other day I read the first paragraph of the New York magazine review of Wolf of Wall Street, which says how in the movie Martin Scorsese "continues his worship of masculine energy: energy for its own sake, energy as a means of actualizing the self, energy because there’s nothing worse in Scorsese’s cosmos than passivity, which inevitably translates as impotence." I like Martin Scorsese's movies just fine, but mostly that sentence interests me because I'm into the idea of Big Star as an alternative to Scorsese-y energy: energy that's masculine and feminine, tough and dreamy, neither active nor passive, just...receptive. That's the sort of energy I worship.

Plus I just really love this picture because they're brothers. Weird brothers, I guess: I can't imagine too many brothers spend a lot of time sitting around bedrooms together. They're probably like the Darjeeling Limited brothers, bitchy and impossible and hotheaded and wonderful. Wes Anderson is a nice alternative to Martin Scorsese.

ii. BIG STAR MINUS CHRIS BELL, I GUESS

It's sad that Chris Bell left when he did but we have to accept it, I guess. And they look pretty all right as a trio, especially here, with Alex being a big diva and Jody having amazing bangs as per yoozsh:

And what's happening on Alex's shirt here? Are those spaceships? They look like spaceships, but also like hamburgers. I don't know how you pull off wearing a shirt printed with cartoon things that look like spaceships and hamburgers and still be completely tough and elegant, but there you go: Alex Chilton. 


iii. JODY STEPHENS


One time LJ saw this picture of me and some rock-star guy and said "It's almost unattractive how hot he is," which is really funny and sort of how I feel about Jody Stephens. Big Star drummer Jody Stephens is so hot it's almost gross - but it's not gross, because he's lovely. Look how lovely he is, just passing through the background while Alex lights a cigarette in his outstanding sweater. I hope whatever he's drinking is wine.

iv. LESA ALDRIDGE



Lesa was Alex's girl for a long time, maybe for most of the existence of Big Star? Something that didn't completely sink in the first time I saw Nothing Can Hurt Me was the part when the Village Voice photographer (Stephanie Chernikowski) talks about meeting Alex in the late-'70s and asking him why he didn't write songs like Big Star anymore, and how Alex just said "I can't," and then Chris Stamey says how that was because of losing Lesa. So that's kinda sad to think about.

I don't know much about Lesa Aldridge but I'm very into her Barbarian Women in Rock EP, which you can download here, and it's got a cover of "Till the End of the Day" that uses that same backing track as Big Star's version. I love her lazy voice.




v. ROBYN HITCHCOCK


Look at that shirt! It's gorgeous, it's a big pink garden, and his hair's so radiantly white too. I hardly know anything about Robyn Hitchcock but last year I put "The Man Who Invented Himself" on this playlist I listen to when I'm writing, and it's a good song to write to. And on the inside cover of my diary in ninth grade I wrote this thing Robyn Hitchcock said on 120 Minutes, something like "Every generation needs a bigger sound to bludgeon them into feeling something." I was a very disaffected child. (JK.)

vi. WINE AND CRACKERS



It's cool that Big Star played Max's Kansas City but more importantly: look what's happening on Wednesday night at "World Disco" in Newark. What's happening is WINE & CRACKERS ON THE BAR. I want "wine & crackers on the bar" to be a thing that happens all the time, everywhere, in every city. Not just in Newark. 

vii. MEMPHIS/EVERYTHING


"Where everything is everything": what a deep slogan. And that font is so hot, and so are all those logos. I wanna go back to Memphis. I wanna eat the eggs and ham and 87 cups of coffee I had that morning with Alissa on Beale Street when it was psychotically raining. I wanna go to Beale Street in the rain and listen to the part in "Dream Lover" by Big Star when Alex sings "On Beeeeeeeeeeeeeeeale.........street." Heaven.

viii. JOHN FRY


John Fry ran Ardent Studios, where Big Star made their records. He had fantastic hair and is an "angel babe," like Jen called Pete Campbell one time after sending me an email to a link to this Dwell article about his house. I love the part in Nothing Can Hurt Me when John Fry talks about being visited by Chris Bell's ghost.

ix. CHRIS BELL


Both times I've watched the Big Star movie I've cried for Chris Bell, but on Sunday I cried a lot more than the first time, maybe because I was safely in my bedroom. And I've written about this here before but if you've never heard the This Mortal Coil version of "You and Your Sister" (starring Kim Deal as Chris Bell and Tanya Donelly as Alex Chilton): oh my god, listen to it right now, or at least very soon. I still believe Chris Bell is an actual angel.


But I'm happy that Chris Bell got to go to Europe and bash around with his big brother and busk in the streets and all of that. Something that's not addressed in Nothing Can Hurt Me: when Chris went to London in '74 he got invited to George Martin's studio and ended up meeting Paul McCartney for ten minutes, which he said was "The singularly most heavy moment of my life."<3 <3 <3 <3

x. ALEX CHILTON


Look at Alex, smoking his Cruella DeVille cigarette. He's like 12-years-old there. He's a teenage superstar.


And oh my god he looks so good here. I feel bad saying that, I feel bad about objectifying Alex Chilton - like, you probably shouldn't go get someone's name tattooed on your body and then be a total creep about him on the Internet. It's just sort of rude. But still! He looks kind of like a girl, and a bird, and so intense. He is an intense girl-bird.


Late last year I saw Raymond Pettibon "in conversation" with Jonathan Lethem at UCLA; it was deeply boring and Raymond Pettibon was such a joyless drag. But at one point he did this thing where all of a sudden out of nowhere he went "I mean, Sid Vicious didn’t mean a fuck to me," all grumpy and put-upon-sounding. I loved that moment. The reason I'm bringing it up now is that this still's from a part in Nothing Can Hurt Me where they show footage of some dude asking Alex if he's "punkish." And Alex's pauses for half a second and just kinda stares and then goes, "Yeah," and it's glorious. Sid Vicious doesn't mean a fuck to me either, but Alex Chilton means everything. He is my favorite girl poet and punkish rocker.

Two Things That Create A Really Cool Atmosphere Together

$
0
0
1. The part in Chronicles, Volume One Where Bob Dylan Says But what he say, I knew not what About James Joyce



Bob Dylan is so important to me that the only reason in the world I don't have his name tattooed on my body is because I think he would think that was pretty lame and pathetic of me. I read his book last Autumn; it's an excellent book. My third-favorite part of Bob Dylan's excellent book is when he talks about how Joan Baez was famous before him but he knew in some fiery and guttural way that one day he would get to her. That's so magical for Bob Dylan- I wish every crazy thing I knew in some fiery and guttural way would come so fantastically true. My second-favorite part of Bob Dylan's book is when he says that Al Capone "seems like a man who never got out alone in nature for a minute in his life," which is a cool point to make about Al Capone or anybody and also stresses that Bob Dylan thinks it's important to get out alone in nature for a minute or two in one's life, which is true- I'd be pretty heartbroken to find out if Bob Dylan didn't think that. 

My favorite part of Bob Dylan's book is when he says But what he say, I knew not what about James Joyce. It's one of my favorite sentences I've ever heard, humbly shoved into the extremely boring section of Bob Dylan's book about how he never collaborated with a playwright named Archibald Something on some project I forget now. The entire rest of Bob Dylan's book is written in proper, regular English, and then all of a sudden in the middle of reading it you're so thrilled to realize that you're about to find out about Bob Dylan's James Joyce opinions, and then it turns out that they're written in this wildly grammatically incorrect way: But what he say, I knew not what. The first time I read that sentence I immediately Googled it because it was so gorgeous, so perfect to me, that I thought it must have been a quote from something else that Bob Dylan reappropriated. But it wasn't. It was just Bob Dylan writing down the sentence But what he say, I knew not what about James Joyce, because that's what the world is. The amazing, perfect place where that sentence happened. 

-LJ


2. The Scene When Pete & Peggy & Ted Chaough Have Oysters & Whiskey Sours & Everyone's in Love with Each Other


That was one of my favorite things in 2013. It's from the third-to-last episode of season 6 of Mad Men, which is titled "Favors." Pete and Peggy and Ted Chaough have just flown on Ted Chaough's plane to some meeting with Ocean Spray somewhere, and they're nicely drunk and laughing a lot - giggling - and you can really feel the looseness of their shoulders. Ted Chaough and Peggy are in love and Pete's a little jealous:


but he's also happy for her and says that sweet thing about "I've seen that look." And then Ted Chaough goes to call his wife, and Pete and Peggy are in love with each other again for a minute, and then Peggy makes fun of Pete for being in love with Ted. It's all very romantic and Pete refers to it as "a romantic dinner," and the restaurant has checkered tablecloths and lots of nautical decor and those cute dumb red candles with netting. The best is how Peggy asks Ted to order her a whiskey sour and then the whiskey sour comes and Pete steals it, then pours half into his own glass:


and Peggy looks a little annoyed, but whatever, she's cool, it's all right. I was listening to a Grantland interview with Chuck Klosterman and he was talking about this scene and saying how Pete and Peggy have an "easy knowledge" of each other that's kind of rare on Mad Men/in life, and that really got to me. Easy knowledge is everything. Whiskey sours and oysters and loose shoulders and nice warm restaurants with wood paneling are everything. Along with this scene, another of my favorite things in 2013 was the end of "Freak Scene" by Dinosaur Jr., the part that goes "Sometimes I don't thrill you/Sometimes I think I'll kill you/Just don't let me fuck up will you/cuz when I need a friend it's still you." Sweetness hidden inside something weird and messy is one of the best kinds of sweetness, I feel.

-Liz

Low is for January, Obviously

$
0
0

BY LJ

David Bowie named his album Low Low because he was feeling low when he wrote and recorded it. It came out on January 14th, 1977, which is perfect. Everything about Low sounds like January. It is sharp and sparkling like an icicle, like sunlight reflecting over snow that fell a week ago. Snow that's just been sitting there, hanging out and being gorgeous but annoying you, the air's too cold to melt it since it's January and so a skin of thin, crisp ice forms across the top. When you step into the snowscape with your boot it cracks the ice and sounds crunchy like the sound of cutting paper on TV. Low is that layer of ice. It's glitter, yellow-white and light blue. 

David Bowie recorded Low at a place called the Chateau d'Herouville in France. It was built in 1740 and is a dirty colour white like a dapply horse who's been running through the mud. It looks like it's probably haunted, but let's be honest with ourselves- nothing is haunted. You associate Low with the city Berlin but I like that it's from somewhere more ornate. I've never been to Berlin but based on everything I've ever heard about it, it seems like it's the exact opposite of every kind of thing I like. 

You can hear the sadness in Low if you strain for it, but it's very faraway. David Bowie at his saddest still reads as peppy from mostly anybody else. He says there's "oodles of pain" on it but there you go, right? Low's pain is one that's been modified by the cuteness of the word oodles. It's not an album about a fucked up human bleeding his "issues" all over his audience like an "oodles of pain" album by John Lennon or Kanye West would be. It's just slightly more morose and less danceable than your average David Bowie record. 
I Iike that about David Bowie- it's a very rare and endearing trait in an artist, being happy more often than you are sad.

This January, I have been sad only marginally more often than I've been happy. Most of the time, I'm neutral. I work so much and my job is so involving that I feel like I only really exist two days a week, on my days off. The other five I slip into a coma of general management and don't have time to think about anything else, though lately I've been starting to figure out how to be more "real" as a general manager, getting a little rowdier and punchier with my staff, though that winning attitude's more of a February thing. In February at least there's hope. In January you're trapped inside of something, a season. You are at the very bottom of the canyon. In February, you've started climbing out of it. 

My commute to work is stupid. I have to double-back two blocks the one way and then another three the other, and I hate double-backing, but in the wintertime I have no choice. It's either: 1) walk to work in the freezing cold, 2) take a cab there, or 3) double-back a little bit. I'm sure you feel me on this one. My commute's about the length of the first four songs on Low if you listen to Speed of Life and Breaking Glass twice, which I always do. It took me maybe thirty-five listens of Speed of Life before I realized, "Hey, there's no singing!" It doesn't need it. It's like a really great steak that a really good sauce would only ruin. 


Breaking Glass is my baby, my pet. I like how you can hear the Brian Eno in it. When Brian Eno shows up a song it's like running into somebody you're actual friends with who you haven't seen in forever on the street. Like today I ran into my boyfriend on the streetcar, and it made me feel like God for sure is real. Brian Eno sounds always remind me of waterfalls made of light, but on Breaking Glass they're like waterfalls made of light that have frozen. Just hanging there, hanging out.  

In January business at my restaurant was very slow, because in January business at every restaurant is very slow. It's cold and people want to eat take-out under blankets at their houses. Plus they feel fat as a hangover from Christmas and the last thing they want to spend all their post-Christmas no-money on is food. So on weeknights I would have to cut all my staff to save the restaurant from going bankrupt, and then I'd have to busser-close the restaurant myself, which means a ton of things but mostly is a bitch because of sweeping and mopping the floor. I'd sweep and mop to this song and just kind of dance around in a way that felt really cool and David Bowie-y to me but probably wouldn't call David Bowie to mind in anyone else's opinion. 

My restaurant has four floors if you count the basement and sometimes once we're all closed up I'll run from the bottom to the top of it five times as cardio, which I think says a lot about who I've been this January- "You're a wonderful person, but you've got problems," David Bowie might tell me, very democratically. Crazy things go on in a person's head when they're not allowed to spend time outside. Time spent out in nature, underneath the sun and moon and sky, should be the best thing any one person's life has got going, and in January that time is ripped away from you. It becomes your enemy. 


Sound and Vision is my favorite David Bowie song. It's usually the exact length of the walk from my streetcar stop to my restaurant, and on days when it isn't, I just don't even have it in me anymore. I don't want to bother with my day. I feel like the point of living out a day is to find out if anything interesting happens over the course of it and if I don't get to start out with at least hearing David Bowie sing "Blue, blue, electric blue, that's the color of my room," well I quit then. I'd rather just burrow out beneath my comforter and never know. 

One Friday I woke up feeling gruff as hell but fifteen minutes into dinner service I paired a tempranillo with the octopus ceviche to a fat old man who looked like a gargantuan toddler, and I mean that as a compliment, and then I found out he was crazy-rich and owned a vineyard in Serbia and deeply approved of my wine pairing, which made me feel like I'm on the right track in a deeply important way- and that's why I show up. For anything. Everything's so fucked this time of year and yeah, I wonder all the time about sound and vision, and how these days are all for nothing, the winter: it's all because of nothing. We whine and moan our nights and days away, nothing to read and nothing to say, slips of paper inside our parka pockets reading Ways In Which The Winter Inconveniences My Human Life, "my cuter boots are also slipperier" and so on, when all it really means is that the Earth is further away from the Sun. It means nothing. It's only the Sun's fault. 

We Have New Little Beatles Books For Sale

$
0
0

A few years ago LJ and Liz started a writing project based on taking Beatles songs and retelling them as stories or essays or story-essays. We named the project Let It Be Beautiful, and eventually turned our stories/essays/story-essays into little books and began selling them on Etsy.

Now we have four brand-new zines, our first new Beatles books in almost two years. LJ wrote While My Guitar Gently Weeps and Birthday, Liz wrote Sexy Sadie and I Wanna Be Your Man, and Jen illustrated all four zines. The zines cost $4 each or $15 for all four, and you can buy everything in our Etsy shop. Here's a little sneak peek at each book: 

i. WHILE MY GUITAR GENTLY WEEPS

While My Guitar Gently Weeps is about the time LJ fell down the stairs at work and landed chin-first on a piece of shattered margarita glass, and about LJ locking herself in the office at work to eat dried papaya and read a J.D. Salinger quote, and also about wanting to drink a glass of aggressive white wine with notes of pineapple.




ii. I WANNA BE YOUR MAN

I Wanna Be Your Man is a valentine to some guys in some rock bands. It's about Mick Jagger and self-possession, Neil Young and being sick/free, Alex Chilton and graceful bitterness, Jonathan Richman and sweetness/responsibility, and Richard Hell and self-transcendence. 




iii. BIRTHDAY

Birthday is about being the moon, finding a copy of Franny and Zooey in the street, wanting to shoot a gun boredly at the ceiling, and not being indoctrinated by anything but the Beatles. It's also about colorstrology and kissing.



iv. SEXY SADIE

Sexy Sadie is a short story about a girl who looks like Joni Mitchell but wants to look like Chrissie Hynde, and about her best friend who possibly looks like Ray Davies. It takes place on the night of the day after Christmas and there's a lot about eyeliner and eyelashes and records and hair, with a little bit of alcoholism and semi-unrequited love.




So yeah, buy them all! We'll probably also throw in a Strawberry Fields Whatever sticker, because we are so sweet. Happy day-after-George Harrison's-birthday to everyone xo

Hurray For John & Yoko! Cries Bob Dylan

$
0
0

Yesterday in the middle of walking home from running errands and listening to Love Minus Zero/ No Limit it occurred to me that Bob Dylan has penmanship, and that it inevitably must look like something. I swear I've never been so grateful for the Internet as I was last night, walking in the front door of my apartment and Googling "bob dylan penmanship" before I even took off my shoes. It's such a bummer to think about all the poor people from the 1980s who walked home listening to Love Minus Zero and wondering what Bob Dylan's penmanship looked like but then had to wait for Rolling Stone magazine to print an image of it or whatever.  

Bob Dylan writes cute, sassy little As. I feel like here you can definitely tell that he's a Gemini: 



And this is sweet:



But clearly the John & Yoko letter is the kicker here. Its coolness obviously goes way beyond the novelty of seeing what Bob Dylan's penmanship looks like. I think so much about the Bob Dylan lyric Name me someone who's not a parasite, and I'll go out and say a prayer for him- that sentence is literally one of the top five things I think about, ever. I like how Bob Dylan is always kind of bummed out about his own having to be an asshole. He wants not to be an asshole! But the cruddy old world makes it so darn tough. 

John and Yoko, however, are not parasites! So he's so sweet and gorgeous about them! "They help others to see pure light," he thinks. Me too, Bob Dylan! I think so too. 

-LJ

Nicole Kidman in 'The Paperboy' Makes Me Want to Wear Canary-Yellow & Fake Eyelashes at the Same Time, Forever

$
0
0

BY LIZ

Basically I'll watch any movie with Matthew McConaughey in it, and one of the few McConaughemovies streaming on Netflix is The Paperboy, which I kind of hated but also loved a little. It's set in Florida in 1969 and it's directed by Lee Daniels; it's gruesome as hell and it gave me awful, insomnia-triggering nightmares on Sunday night. But then there are also some Paperboy moments that are so beautiful - mostly because of Nicole Kidman, whom I'd never thought to care about before. She plays a woman from Alabama named Charlotte Bless who gets her kicks writing love letters to prisoners, including a convicted murderer named Hillary Van Wetter, who's played by John Cusack and so hideously scary that I'm pretty sure my John Cusack feelings are now fucked for life.

After watching The Paperboy I read a bunch of reviews of it, and a lot of dude reviewers were whining about how there's so many shots of Zac Efron in his underwear. But I really hardly even noticed that; I was too busy loving Nicole Kidman. A lot of the reviews also make a deal about stuff like her blowjob-pantomime scene and the part where she pees on Zac Efron at the beach, but I'm more fascinated by the way Charlotte's got a fucked-up heart and lust for darkness but she's also the brightest thing. She's always in canary-yellow and hot-pink and crazy florals and dreamy blue, and all that swirly-girliness is a cool contrast to her infatuation with exceptionally bad men. She looks like Brigitte Bardot and a trashy Barbie doll, and she makes me wish the word "sexpot" weren't stupidly obsolete these days. But then at the same time there's this mystical/groovy quality to her: like, she talks about how people in love have telepathic powers and she ends a lot of sentences with the word "dig," used interrogatively, in her tough Alabama accent. I don't want to be her, but I could watch her talk and walk around for hours on end.

Mostly I wish I could take her character (along with Matthew McConaughey's and Zac Efron's and Macy Gray's), and put them in another movie with a storyline that's more indulgent of my excessively romantic temperament. That movie could keep a lot of actual moments from The Paperboy and use them to make something more uniformly dreamy, like the part where Charlotte and Jack dance in the rain:



It could also have a bunch of these other shots of Charlotte being amazing. I don't know, I just think tiger print + baby-pink lipstick is a pretty smart move.


And those sunglasses are so fly. And I love her headscarf. The beach scene has this really gorgeous shot of Zac Efron swimming really far out into the ocean, maybe some of the best movie-swimming I've ever seen, and then there's an equally gorgeous shot of some jellyfish floating up to him underwater (which then turns terrifying, and ends with the aforementioned Nicole-Kidman-peeing-on-Zac-Efron bit, which I'm just not that high on).



And this is Charlotte's business blouse. It makes me want to go to business meetings.


I love Charlotte's mussed hair here. I love her smudgy eye makeup. I'm generally way into movies/television where you can feel the temperature and air quality of the setting, especially when it's someplace that's the kind of hot and humid that makes you a little delirious. Mad Men's often really great at that, and The Paperboy's great at it too. 



Obviously Matthew McConaughey is the greatest smoker in modern-day cinema/whatever, but I'd so give Nicole Kidman the Oscar for Best Female Smoker, no doubt about it.




Charlotte also looks great checking herself out in a compact, and makes me wish I still carried a compact.



When Charlotte wears her blue dress in the bar scene, she's probably the girl that "Devil in a Blue Dress" was written about. I love her fake eyelashes, pink nails, white eyeshadow, everything.




OK hi now I have to talk about Matthew McConaughey for a couple minutes, since obviously he is more important than everything. In The Paperboy he plays a newspaperman named Ward; his character is heartbreaking and tragic and reminded me of how the Beatles' manager Brian Epstein would pay boys to beat him up. He's got these scars around his mouth that are both cool-looking and terrible, and one of the sweetest things in the movie is how Ward and his brother Jack love each other so hugely and unreservedly, like they're not just brothers but also puppies. Toward the end there's a scene where they're riding a little motorboat through a swamp and holding onto each other after something bad's happened to Ward, and it's so lovely. Getting kissed by Zac Efron while wearing an eyepatch on a tiny boat in a swamp is a good look for Matthew McConaughey.






Also there's a scene where Matthew McConaughey eats a piece of chocolate cake while sitting on top of a dishwasher with his shoes up on the counter, wearing a button-down short-sleeve shirt that's got a bunch of pens in the breast pocket, flirting cutely with Macy Gray while she does the dishes. Their dynamic is so chill and sweet; the scene's under a minute but there's so much warmth and that sort of "easy knowledge" thing that made me get all moony about Pete and Peggy in the oyster restaurant last season on Mad Men. There's this quiet acknowledgment of a shared secret between them, and even though I've rewatched the scene about four times now, it still just undoes me and makes me want to write something even half that casually heart-melting. So that's something at least.


I Want To Live In A Wine Cellar

$
0
0

BY LJ

I am moving to England in the summertime. In England, I am going to do a lot of things, and a very important one of them is: become a “chill sommelier.” A chill sommelier is basically the same as a regular sommelier, only the chill sommelier is not an asshole. For the past ten years, since the very day I first saw Sideways, my #1 goal in life has been to make sure I am the exact human opposite of Paul Giamatti's character, AKA the worst grossest human being ever to have fake-existed, whose gross name, it turns out, is "Miles."Of course his name is Miles. 

Unfortunately, now that I am becoming a sommelier, it is no longer possible for me to be "Miles"'s exact human opposite. We'll just have too much in common, wine-wise, though I don't think Miles was even a sommelier. I think he was just a (barf) "wine enthusiast."But I can still strive to be the least Miles-y sommelier there ever was. The least douchey dickbag sommelier with a chill fun-loving spirit this world has ever known. I'm even going to make business cards, or get somebody else to make me some, that literally say “LAURA JANE FAULDS: Chill Sommelier.” And then people who want a chill sommelier will know to hire me and not some uppity uptight old-timey sommelier who looks like the candelabra from Beauty and the BeastI mean can you even begin to imagine how many sommeliers there are out there who aren’t chill? Like, all the seventy year old man sommeliers in Paris who wear waistcoats? Or any French city? That’s where I come in. The sommeliers need me, to lighten up their rep. 

The other day, I bought my boyfriend some really shitty wine. Obviously I wasn’t intending for it to be shitty. It just was. I’m not a sommelier yet. We were watching the penultimate episode of Breaking Bad (ew- saying "penultimate" was so not chill sommelier of me. I bet douchey Milesy sommeliers say "penultimate"soooo much. Sorry about that) when Mark asked me, "Should I make myself a cup of coffee, or should I have another glass of wine?" I had another sip of the shitty wine to confirm whether or not it was worth drinking another glass of, and I said his shitty wine tasted like the shitty dregs of coffee you would find at the bottom of one of those clear brown-handled coffee pots, which has been sitting around for hours at a truckstop diner in the middle of, like, Kentucky, and there’s still smoking allowed in the diner because it’s, like, 1987, so it also tasted a bit like cigarette smoke. I guess my point was maybe that he shouldn't have coffee. Since I detected notes of coffee in the wine. There’s some romance in that!” I explained, earnestly. 

The moral of the story is that Mark had a cup of coffee and another glass of wine, and that the process leading up to his decision was a great example of my future chill sommelier style in its nascence. Imagine if you went to a restaurant and the descriptions of all the wines on the wine list were winding and verbose and heavy on the metaphor? And written in my insane narrative voice? You'd have to be either boring or an idiot to not be all the hell over that, so welcome to London wine culture circa 2017 starring Laura Jane Faulds as London’s great pioneer of the legendary "chill sommelier" movement.



I love white wine more than I love red wine. I want to get a tattoo that says WW>, which means "white wine over everything." I also want to open a white wine bar called WW> that only sells white wine and cute snacks such as beet salad or a clever little take on a peach cobbler. There have been two unforgettable moments in my life when taking my first sip of a glass of white wine did something insane and gorgeous to me, something that changed me forever, having felt so blissful and isolated inside of those tastes and those smells and even those chilled, physical glasses. I have always wished to devote my time on this planet to frivolity and ephemera. And so I have decided to center my professional life around chasing down more and more of those moments. I want to trap myself inside of those sips and I want to live in them forever. And I want to be drunk all the time. 


When I was a little kid I had an L-shaped desk that slotted into one corner of my bedroom. I liked to sit in the nook under the desk and peek out from behind my desk chair. I have always loved existing in nooks more than I've loved existing anywhere else, except maybe by the water. And wine cellars are the ultimate nooks: they are nooks that have wine in them! They are dark and dank and probably smell weird. They're like the grotto where Ariel keeps all her kooky treasures in The Little Mermaid (2 Disney refs in this guy; cool), except instead of dinglehoppers they have wine in them! 


Once I was lying in bed, and I was very stoned, and started reciting the Hare Krishna mantra to make myself fall asleep. I was high enough to feel connected to how powerful those words were. I thought about how many millions and billions of times those words had been recited been recited by human beings over the course of thousands and thousands of years. It occurred to me that perhaps every time those words were spoken, the actual physical words as blank, faceless objects, were imbued with extra power. And so to recite the Hare Krishna mantra in 2014 meant more than it did to recite the Hare Krishna mantra in 701 or 1865. And as I whispered those words over and over I started to feel like those words were not the words as I was saying them. They were every time they'd ever been spoken at once. I certainly didn't fall asleep right then. 

Wine makes me feel the same way. It is the ultimate nostalgia, the taste of the passage of time. There's a bottle of champagne that sank on a ship in 1907, they found it underwater, that today a person can buy. I know if I drank it I could taste the ocean. You can teach yourself to detect notes of lychee and oak and roses and currants but I know if I drank it I could taste terror and the ocean. I think if I worked hard enough, I could teach myself to taste a person's life. 

Watching Mary Timony Eat All Different Foods in the Video for "Hot and Cold" by Ex Hex is Total Heaven

$
0
0

BY LIZ

Mary Timony's new-ish band Ex Hex just premiered the video for their song "Hot and Cold" and it's everything I could ever want from a rock video: Mary Timony, cake, cookies, pizza, Ian Svenonius being handsome/boring, a jello mold that looks like a sea monster, a lion, pineapples, cherries, flowers. The basic premise is Mary's out on a date with Ian and it's not going so swell (he's the "cold" in this equation), but then the other Ex Hex babes show up and save Mary and suddenly it's a party. Here's a bunch of gorgeous screenshots; for additional heavy thoughts on loving Mary Timony you should read my book I Wanna Be Your Man, from our new little series of Beatles zines. There's cake in that too.



Here's Mary at the start of the video, with her rad orange nails and martini. What do you think's in the goblets? I want it to be Coke. I want Timony to be a weird little fourth-grader drinking soda from her parents' wine glasses and pretending to be grown-up and sophisticated. "Fourth-grade Mary Timony" is something to think about.


And here's Ian and his glorious hair and scowl. Right now I've got a crush on a guy with serious Ian Svenonius vibes; it's working out relatively well.



Aforementioned sea-monster-ish jello mold. I don't understand what it's made of, but I appreciate that there appear to be green pimento-stuffed olives suspended inside. That's so gross/inspired.



And the beautiful cakes. Candy on top of cake is one of the best looks.


What is she eating? Where'd she get that flower crown? I mostly don't believe in flower crowns, but I fully support Mary in her flower-crown-wearing here.



Mary's shy dancing. It's funny her posture's so bad cuz MARY TIMONY IS NO SLOUCH



This is the face Mary makes because she's so excited to eat ham. Oh my god.


Pizza! I love Mary Timony's excited-about-pizza face almost as much as her excited-about-ham face. 



EXHEXHOTCOLDBREADSHRED.jpg is what I named this picture, and also my new "overall life concept"



Timony gazing heavenward, as she does



Betsy brought her own salad dressing to the restaurant. Really into that lion necklace.



One of my fave parts of the "Hot and Cold" video is when Mary stomps across the tabletop with her amazing guitar. It reminds me of the part in the wonderful movie Girls Just Want to Have Fun when Sarah Jessica Parker and Helen Hunt and Shannen Doherty have the punks/metalheads crash Natalie Sands's sweet-sixteen party, and one of the punks/metalheads stomps across the country-club tabletop with his own amazing guitar. The song that plays in that scene goes:

Wake up the neighborhood
Shake up your neighbors good

which seems pretty true to the spirit of Ex Hex. Also: daisy socks + high heels = genius fashion 



I wish Mary Timony's face and my face were similar enough so that I could make this screenshot my author photo. Groovy sparkly eye makeup, btdubs.


Perfect idea. Perfect human.


But here is the most perfect human in the world. So hot, forever & ever

P.S. The "Hot and Cold" single is now available for purchase on iTunes/Amazon/whatever. Buy that too!

Thing of the Week: LJ's Boyfriend's Birthday, Meeting Kristin Hersh,Seeing Mary Timony

$
0
0

LJ'S THING OF THE WEEK: My Boyfriend's Birthday (& Snoopy)


My boyfriend's birthday was on Tuesday. He spent his birthday and the two days preceding it at his parents' house up north. At first I didn't mind terribly that he was away; I did exercise videos involving burpees in my kitchen with no fear of another human being seeing me do a burpee, and watched the terrible romantic comedy Celeste and Jesse Forever on Netflix. It was extremely bad, but I loved it anyway. I love every romantic comedy, even the one where Reese Witherspoon returns home to the deep South and falls for a straight-shootin' sparkly-toothed blond man, reflects upon her fast-paced big city life and crappy relationship with dead-inside Patrick Dempsey whose mother, Candice Bergen, is the mayor and wonders "What is it all for?"- I literally think that movie is better than, like, every other movie that isn't a rom-com.  

On Monday morning Celeste and Jesse Forever ended and I went to work and came home from work and had nobody to talk about work to. I felt sad and alone and ate a sad little apple at my kitchen table and played Candy Crush on my phone until my self-discipline caved in upon itself and I spent money on Candy Crush. I bought myself a new set of lives and one of those chocolate truffles covered in multicolor sprinkles that eliminates an entire style of candy from the level. Soon after, I deleted Candy Crush, just as I always swore I would the moment I ever spent money on Candy Crush. It's crazy how short of an amount of time it takes for "absence makes the heart grow fonder" to kick in. 

After work on Tuesday I was so excited to see Mark on his birthday that I drank a margarita while closing up my restaurant. Well probably I just drank a margarita because margaritas are delicious and I love them, but used Mark's birthday as an obviously solid excuse to justify my disobedience. Then I went and met Mark at a bar by my house that has a picture of Bob Dylan's face graffitied on the building's facade. It's not really the best-case-scenario graffiti of Bob Dylan's face that I could imagine existing, but I try not to judge it too hard because really a shitty picture of Bob Dylan's face being painted onto the building you are drinking in is still preferable to no Bob Dylan's face being painted on the building at all. Which happens quite often.

At the bar I drank two bottles of Heineken. Mark and I were being very affectionate with each other, which is something I value a lot about our relationship. Mark and I make out in public, and we don't care that we make out in public. What's the big deal? I really like kissing my boyfriend- he's hot, and I'm in love with him. It's not 1875 or whatever. The Industrial Revolution is not going on outside our front doors. Why is this crazy world of ours so obsessed with their own obsession with loving gross surfbort Drunk in Love but simultaneously so prudishly offended by my boyfriend delicately kissing my forehead on public transit? That sentence is dedicated to the frumpy teen who sassed my boyfriend for kissing my forehead on public transit last November and probably loves Drunk In Love. (And while I'm here, please let it be known that I personally think Drunk in Love is silly and uncool. All my friends are so in love with Beyonce and it weirds me out; I always thought a really nice thing about being smart is how it prevents you from buying into mainstream culture. She's not actually our Queen.) 


I gave Mark this card and then nicknamed him "Kangaroo Man" for the rest of the night, because I think those little illustrations are probably kangaroos. We ran a whole lot of the way home from the bar because I'm really into fitness these days and it was cold. While he was at his parents', he found out from his mom what time he was born at (1 in the afternoon), so when we got back to my apartment we consulted my astrology book and discovered that his Rising Sign is Leo! Same as mine! Additionally, Mark is a Pisces with his his moon in Pisces. After reading about Leo Rising and learning that we're both very ostentatious and have nicely-shaped heads, I read him a bunch of information about being a Pisces. It all wrung very true, and we had a nice little mini-celebration of his Pisces-ness, and of Pisces-ness in general, which is definitely something worth celebrating. Pisceans are intricate like a crazy tapestry or sand underneath a microscope. They are complicated and don't care if you know they are complicated. My boyfriend is what people mean when they say "still waters run deep," the most selfless and giving human I've ever known, and really weirdly smart in an unexpected and unpredictable way. At the end of the night we were lying in bed being cutesy and in love and Mark asked me, "Since animals are nice things, do they get to have astrology too?" Awwwwwwwwwww! God I fucking love that guy. 

PS: I found that chill & gorgeous Snoopy-Pisces illo this morning after watching the preview for the new CGI Peanuts movie coming out next year, which is just like okay cool but Seriously?!? Can we maybe not make every single thing that ever happened into CGI? Like, could we maybe just keep Peanuts sacred? Peanuts?!?!? Just Peanuts, guys. That's all I ask. But anyway, after watching it I zoned into this weird head-world where I actually teared up a little bit because I am so endlessly charmed by how cute Snoopy is. And then I was like "What's Snoopy's Zodiac sign? Is Snoopy a Gemini?" I Googled it, but no dice. As it turns out, Snoopy is no Zodiac sign, at the same time as being all the Zodiac signs.

Sometimes he's a Capricorn, like Liz Barker: 


Sometimes he's a Scorpio, like Jen May:



 And sometimes he's a Cancer, like me!


LIZ'S THING OF THE WEEK: Meeting Kristin Hersh


This is actually Thing of Two Weeks Ago. On March 4th I flew home to Massachusetts so that I could see Throwing Muses (with special guest Tanya Donelly!) at the Sinclair in Cambridge. Tanya Donelly's always been one of my favorite songmakers, but my Throwing Muses obsession is mostly new. It didn't happen until last year; it came on fast and furious, and was intensified by my interviewing Kristin for Popdose. I read Rat Girl twice and the Purgatory/Paradise book twice and they each changed my life, a total of four times. For 2014 my new year's resolution was to stop jerking off, metaphysically speaking, and Kristin Hersh is absolutely my hero in that. In Kristin's hands I always know exactly what to take seriously and what not to take seriously, because hers is a world that's both magic and no-bullshit.

So yeah, the show. Tanya opened and played "Honeychain" and "Acrobat" and some Belly stuff ("Slow Dog"! "LOW RED MOON"), and toward the end of her set Bill from Buffalo Tom came out and sang a couple songs with her and it was gorgeous. And then the Muses happened and I don't want to write about it; all I can say is that resting my chin on an amp and drinking a borrowed beer and watching Kristin Hersh scream and play guitar is probably my natural habitat. Afterward I went up to Kristin to say hi - I was all, "Hiiiiiiiii...I interviewed you a while ago? It was Halloween? I live in L.A.? We talked about L.A.?", and then finally she remembered me and told me I wrote cool stuff, and then I died and asked her to sign my t-shirt like a 14-year-old. It was the best. I don't know how you get up in front of thousands of people and sing songs like you're ripping your own skin off, and then get off stage and just be totally nice and chill and lovely, but there you go. Kristin Hersh, guys.


Besides meeting Kristin, my fave part of the night was when Tanya came out during the Muses' set and they played a bunch of songs, including "Red Shoes" and also "Green.""Green" was entirely worth my flying across the country, all on its own: I would've flown around the world 10 zillion times just to have that. I took that picture up there of Kristin and Tanya playing "Green" and Tanya really singing the hell out of it, but the whole thing was definitely a dream.



JEN'S THING OF THE WEEK: Seeing Mary





Last night I saw Mary Timony's new band Ex Hex. They were so fun. Mary shreds. She's the best. And, you guys, they covered a Slant 6 song!!

Doing Exercise Videos In My Kitchen

$
0
0


BY LAURA JANE/ ILLUSTRATION BY JEN


I pushed my kitchen table up against the wall so that its longer edge no longer juts out and cuts into the largest fat rectangle of open empty space my little home has to offer. Now when you walk into the room the first thing you notice is a stack of books on the table instead of just the table. It’s: a book about the Beatles, a book about the Rolling Stones, Bart Simpsons’s Guide To Life, three books about astrology, Learning the Tarot, and a Spice Girls book called Spice. That stack of books has a lot of chutzpah.
        There is one chair slotted into each short edge of the table. One has an olive green cushion printed with a pattern of jumping white rabbits offset by little flowers and flying petals tied to the back of it. I never sit on that chair. There is a pile of paper on that chair.
        I sit on one of the two chairs tucked into the table’s longer edge, my back to my apartment’s front door. Right now I’m sitting like I’m stretching, my left foot tucked under my right thigh, my right leg splayed straight out across the chair next to me, my first four toes hooked under the edge of the table, my sad little gerbil of a pinky toe, my darling runt toe, hanging loose. I’m kind of pulsing it now that I’m thinking of it. You could put the whole of your body’s entire energy into that one tiny toe if you wanted to. Your body can do almost anything you want it to.



I was recently demoted from general to assistant manager of my restaurant. I don’t want to talk about it at all. I’m only bringing it up because I’m about to start out a sentence with “When I was first promoted to general manager of my restaurant” and I don’t want people reading this to think that I’m still the general manager of my restaurant because it isn’t true. And I like to say demoted because I think it’s funny and dramatic but it’s an overstatement. I was “demoted,” or rather “asked to step down” because I told my bosses I am moving to London in the summertime and they didn’t want to invest any more time, money or energy into training me. That’s fair of them. But there is a sliver of my rebelliousness devoted to wanting everybody to think that I was demoted for rebelliousness-related reasons. I won’t deny that the whole chain of events enkindled a little bit of rebelliousness-related fallout on my end, which I have definitely been shouting out a little bit more than is necessary, but I don’t think that anybody’s ever taken me for a woman whose actions were compelled by necessity. Of all things.
        That being said, when I was first promoted to general manager of my restaurant, I thought it would be really fancy, but mostly it was just hard, and I soon realized that I wouldn’t be able to go to the gym anymore. And I loved the gym! A cool grey space stuffed full of cold grey machines, populated by humans at their personal ugliest ignoring other humans at their personal ugliest: my exact preferred brand of human-on-human interaction. The gym, the marvelous gym: where I could space out and make up stories about my badass future self denying men who broke my heart in my twenties whatever the fantasy happened to be centered around their asking me for in my subtle and distinguished English accent while simultaneously looking bodacious in a skintight black dress and having recently won a Booker Prize while listening to Helter Skelter and Otis and running in place for thirty minutes, emerging from the daydream wet with sweat and rid of whatever petty anxieties I’d been bogged down by thirty minutes prior. And then I’d do some other stuff: the inner and outer thigh machines, half-assed crunches, bored bicep curls spent wondering what I was going to eat for lunch, etc. I liked that part less.
        I never really knew if these workouts even did anything. I doubted they did. It’s not like I was really ripped or anything; I barely even looked like a person who went to the gym at all. Mostly I did it just to keep myself from going insane.

I went into anorexia recovery almost exactly five years ago. I worry about how easy it might be for someone to misinterpret that sentence as meaning “I recovered from anorexia almost exactly five years ago,” which is inaccurate. Maybe I haven't even recovered yet, even today. I can't decide if I did or didn't. I mean most of the time I’m pretty chill about food and eating and my body and all that but the fact that I even have to write down sentences like “most of the time I’m pretty chill about food and eating and my body and all that” while sitting here writing a thing about how “fat” AKA “disgusting” I felt when my old job prohibited me from working out maybe just maybe suggests otherwise. But it’s okay, it’s okay if that’s fucked up of me: I’m not trying to be anybody’s hero here, or even inspiring at all. I’m just telling the truth about what my life is like right now, at the beginning of March in 2014, while trying to avoid getting crazy deep into talking about my job, since my bosses recently started following me on Twitter. So, as you can imagine, I’m pretty paranoid about how they must’ve started creeping on my blog, and I’d rather they find out about my body image issues than my feelings about issues that pertain to their business. Because imagine if I wrote an expose about general management and then they tried to talk to me about it? I can’t imagine anything in the entire world worse than having to sit in my cold and empty restaurant explaining some fancy-ass sentence I wrote about my emotions to my employers.

I think what probably happened, if I’m going to be honest with myself, is that once I started general managing my restaurant and stopped going to the gym, which happened in November and was soon followed by everybody’s good old favorite life-ruiner the Holiday Season, which I’m not going to pretend doesn’t ruin my fucking life every year because it does, is that I gained about four pounds. Or maybe I’m selling myself short here. Maybe I gained ten. Or maybe I didn’t even gain any weight at all; maybe the entire thing happened in my head. But as I get older and sort of wiser, one of the major things I’m realizing is that it doesn’t really matter whether it did or didn’t happen in your head or outside of it or even at all, if it’s “legitimately” bad or just a “first world problem” or whatever the hell hashtag strangers are using to diminish your experience nowadays- if something’s shitty it’s fucking shitty and that’s it. Your personal shittiness is 1) intangible and 2) illogical and 3) entirely unrelated to anybody else’s so 4) who cares? If something’s shitty it doesn’t matter if it’s actually shitty or if it’s just your own bullshit creeping in to say what’s up and poison something average. Your happiness is not a fucking academic essay or an opinion piece some jack-off who’s a worse writer than you wrote for some blog you’ve never heard of that “seems” important but probably isn’t. You don’t have to explain anything to anyone. You don’t have to justify what lets you down.

What happened at the end of December was I started waking up feeling like I was wearing a unitard stuffed with foamcore. It was always in the earliest seconds of my day that I felt it the truest and hardest. Like there was me and I was real and then my bed was also real and then between us was an invisible bed-esque shield of me-shaped marshmallow fluff uniting us. Not a cool feeling. A person is not a bed. A person, no matter how much weight they may or may not have gained, is not wearing a suit made out of a bed, unless they’re wearing a suit made out of a bed. Which I wasn’t.
        I fixated the lion’s share of my self-loathing onto my upper arms, which have never been the gold-star area of my body, and it was like when you’re trying to meditate and the only thing in the world you’re allowed to think about is yogic breathing only if you replace mediation with the furthest thing in the world away from meditation and instead of breathing it’s obsessing over how the tops of your arms are globules. Bouncy fat like fat on meat that’s been refrigerated for a couple days. Peeling the tinfoil back.
         You don’t have to justify what lets you down; all you have to do is fix it. It began with a hasty Google search: best upper arm exercises or whatever. I remember doing push-ups against my kitchen table and then graduating to regular girl push-ups, on the floor. The magnificent conclusion to this story is that I found a website called “Fitsugar,” a fitness-related subsidiary of a website called Popsugar that I have barely investigated but assume spotlights celebrity culture from a principally female but in no way progressive viewpoint. And really the point of this entire piece of writing is that Fitsugar, in particular the “Class Fitsugar” aspect of Fitsugar (I’m pretty vague as to what the other aspects are), which posts life-changingly difficult and creepily effective ten-minute exercise videos to Youtube, changed my life.
        There is literally nothing about the Fitsugar brand that relates to my politics or “Laura the cool weird writer” aesthetic at all, but that’s okay: I don’t really need the person motivating me to do a couple more plié jumps at the exact moment I’m about to put a fucking gun to my head and not do a couple more plié jumps to be “like me.” In those moments, I don’t even need to be “like me.” I like when life lets me not be like me. I could write this entire thing all over again and take away all the points about my not liking my own body and replace them with just as nice of sentences about how far away from being Myself exercising makes me feel, I could put a cool Hinduism spin on it, and the whole thing would be just as true. But I’m very attracted to having a negative take on things. I need everything to be dim and dull, though with a tiny bit of positive coming out the back, quietly just There, not making any huge deal out of itself but still taking complete precedence over all the crap. Like when you can still see the moon in the morning.

In the morning Mark is sleeping or showering and I’ve pushed my kitchen table up against the wall so it’s easy now. I take the liquor bottles off the top of the filing cabinet and place them on the counter with the vitamins so they don’t make awful clanking jangling noises while I’m hopping around but it’d never wake him up anyway. He sleeps like he’s dead. I’m wearing a sports bra and I’ve got my socks on and my sneakers are all tied up. I unroll my yoga mat, which is blue. So many yoga mats are purple, but I made sure to buy a blue one, just so it wasn’t purple. I don’t care about yoga. I’m not a yogi.
        In the largest fat rectangle of open empty space my little home has to offer I swerve and bend my body into kooky and painful positions that never would have occurred to my body to move and bend into if it wasn’t for these lovely, sweet ladies: their pale peach tank tops and foot-shaped Nikes, their aerodynamic magenta capri pants, beautiful blonde ladies from Southern California who were beautiful ever since they were seven, eight, nine years old, when all the little boys in their classes gave them ugly safety-scissored Valentines on Valentine’s Day who grew up and chose to become personal trainers, telling me to “keep that booty tight” and “blast away that fat.” (That booty, that fat- like none of it is truly yours.) They are alternately perky and gentle. It’s very easy for me to believe in them.
        My body, thanks to these women, has become truly mine. My body is a body and not just a picture of a body. I am a creature made of hinges. Now while I’m animatedly telling a story I am more than just the good old words. I’m abducting my hips and flaring up my rotator cuffs, rising up like a star and falling down into a toe-touch, knot by knot of my spine and grasping at my ankle like a drunk ballerina as I pour myself a seventh or fourteenth or whatever glass of wine. I’m dancing alone in my apartment and my repertoire of stupid alone dance moves is bursting outside of itself like a cartoon of a thermometer on the hottest day in summertime, like the jugs of milk in The Girl Can’t Help It exploding, when nothing will be staying inside of itself, as a very beautiful lady walks by.

Thing of the Week: Draught Negronis, Beaches, Iceland

$
0
0

LJ'S THING OF THE WEEK: Draught Negronis at Red Sauce


A new restaurant named Red Sauce opened up in my neighbourhood, and I am in love with it. I am going to marry it, and change my name to Laura Jane Red Sauce. I have eaten at Red Sauce three times in the past three weeks, and I feel like at this point I'll probably have a nervous breakdown if I ever go a week without eating there again. It's so chill and easy and cutesy and skeezy. It reminds me of a place where characters in one of Liz Barker's stories would go. 

The first time I went to Red Sauce was with Carly on the night of a blizzard- we ate spicy broccoli rabe, these perfect sassy charred little peppers that you dip into a thin, buttery white sauce, and Clams Casino, which was a pretty special experience. I wonder how many times Dean Martin ate Clams Casino in his life. Probably once a week. We also had the garlic knots, which are psychotic, and I ate a half muffuletta sandwich. I didn't retain the experience of eating my half muffuletta because I was very drunk on Negronis at that point. Obviously the shining star of Red Sauce's existence is that they have NEGRONIS ON DRAUGHT, a concept so strikingly tailored to how I need life to be that I am genuinely surprised it's a real live beverage and not just a line from a blog post I'd write about what life would be like in PERFECT HEAVEN. And they truly are heavenly, and six dollars, and are problematically, or maybe non-problematically, boozy. Most importantly, they are served in a chilled ceramic cup. People really underestimate the extent to which a chilled vessel can elevate the hopefully-alcoholic beverage it contains. 

The second time I ate Red Sauce was with Laura F and Teri. We shared two orders of the garlic knots, which I regretted the next day when I felt like I was pregnant with a twenty-pound lump of garlicky bread baby. No disrespect to the garlic knots, though. Just don't eat two orders in addition to eating two desserts and like seventy appetizers and a Knuckle Sandwich, which is a breaded patty thing made out of braised pork trotters that you eat on a roll with (hey hey!) red sauce and more of the spicy rabe, which is such a badass vegetable. I wish I could show you pictures of all the delicious food I'm describing, but my old iPhone Dan Humphrey died of natural causes last Tuesday and I never backed up my iPhone so now they are all lost to time. RIP Dan Humphrey.


Last night I went out on a date to Red Sauce with myself. It was one of the best "dining alone in a restaurant" experiences I've ever had. The servers weren't up my butt and really seemed to respect the fact that I just wanted to chill out and read my book and not be sold to. The mini-Caesar was out of this world. It was aggressively garlicky and the croutons had a sort of melt-in-your-mouth consistency to them that I have never experienced in a crouton before, but now will feel the absence of in every subsequent crouton I eat. I had a non-drunk half-muffuletta and I was into it. I don't have much to say about it. It's just a really solid and no-bullshit piece of food. My one regret is that I only drank one Negroni. I want to exclusively drink them (AND WHITE WINE. DON'T WORRY, WHITE WINE! I HAVEN'T FORGOTTEN ABOUT YOU! LOVE YOU!!!) forever. I feel like my love for Campari really means something about me. One of my dreams in my life is to find out some person I hate doesn't like Campari, look them in the eye and say, "I don't respect that." 

LIZ'S THING OF THE WEEK: Teens on Beaches, Sadness on Beaches, Wine on Beaches


i. Last weekend I found a copy of Jones Beach by Joseph Szabo for seven bucks and I bought 
it. Even if you don't think you know Joseph Szabo you probably do; he took the photo on the cover of the perfect album Green Mind by Dinosaur Jr., for instance, and he took this groovy picture that everyone always posts on Tumblr. I don't love Jones Beach and I wish it was Teenage instead, but whatever, it's fine, it's great. Above is my favorite Jones Beach photograph, mostly because the kids look like extras from my book. They're smoking Larks. They're going to eat supper at Red Sauce tonight.

ii. Like many people who exist in my immediate Internet universe, I'm pretty crazy about that new War on Drugs record. "War on Drugs makes me feel all the feelings Kurt Vile fails to make me feel" is something I keep thinking and feeling kind of bad about, although I'm sure Kurt Vile's life's all right without me. I just never can really find myself in a Kurt Vile song, but with War on Drugs it's like boom! There I am. There we are. To me Lost in the Dream sounds like being sad on a winter beach - but a perfect sad, the sort of sad where you're entirely sure no one else in the history of everything has experienced this particular tone or dimension of sadness before. It sounds like being stoked on your own sadness. Also I love how he's always going "Whoo!" It's the deepest whoo in all the world.

iii. I got my taxes done on Wednesday. My accountant's office is by the beach in Santa Monica, but it used to be in the Valley, in Encino. On Wednesday I was like, "You like it better here?" and David goes, "YES. Oh my god. I told myself, 'Dude, you're not allowed to complain anything ever from now on.' I smile all the time." It was so cute. David rocks. After our sesh I went down to the pier and got a plastic cup of wine at the fried-seafood place and gazed out upon the sea and thought how sad it is that no one ever pays writers gabillions of dollars for anything, and then I got over it and walked around listening to War on Drugs and to Ex Hex. When I went back to my car someone had parked psychotically close to the driver's side door, and I left them a note saying they should listen to Big Star. Then I went to Wild Flour and got a piece of pepperoni pizza for supper, and then I drove back to the east side of Los Angeles and impulse-stopped at Sweet Rose Creamery on the way. They had oro blanco ice cream and I didn't know what oro blanco meant but I liked the name so I got it; turns out oro blanco is "a cross between an acidless pomelo and a white grapefruit." The oro blanco was candied and the ice cream had nice soft hunks of ginger cookie hidden inside, and I had them pour some hot butterscotch sauce all over it cuz what the hell: tax day is the perfect day to eat like a six-year-old at her own birthday party. Pizza and ice cream for everyone.

JEN'S THING OF THE WEEK: Going to Iceland


I'm going to Iceland tomorrow.



I Want David Klein to Illustrate My Life

$
0
0



BY LIZ

About a month ago I became aware of the existence of David Klein, who was an artist and illustrator who made a lot of weird and gorgeous advertisements in the 1960s. He's maybe best known for all these TWA posters, which I'm in love with. Apparently you can buy originals of some of the posters on Etsy for hundreds of dollars, like the L.A. one on the left here:




There's a stupid lack of David Klein info on the Internet, but I did learn he was an active member of the California Watercolor Society, which charms my socks off. David's bio says the California Watercolor Society "often chose to paint watercolors depicting scenes of everyday life in the cities and suburbs of California," and that makes me wish David were still with us now so that he could illustrate everywhere I love in California, especially my neighborhood and Topanga Canyon and the weirdest parts of the Valley (Lankershim Boulevard in particular, where I took allofthesegroovypictures).


But David Klein died in 2005. He came from Texas, and he was in the army and fought in World War II. And at first my whole point in posting this post was so I could do this:



#GEORGE

...but then I looked at more of David's work and saw that he also made posters for movies and foods and books and everything. I haven't found any David Klein music art, but I'd really love for him to make art for all these people/albums/songs/whatever:

-Outkast
-The Beatles, especially Help!-era Beatles
-Ex Hex
-The Kinks Are the Village Green Preservation Society
-Courtney Barnett

-the first two Shins records
-that Strokes song about Hawaii
-mid-career Sonic Youth, especially Goo
-Ram by Paul & Linda McCartney

-late-era Pavement
-The Hollies oh god I love the Hollies, I love Evolution by the Hollies so much right now


I think my basic criteria for music being David Klein-worthy are (1) a fluency in the nuance of thoughtful/subversive whimsy and (2) an undercurrent of scrappiness, melancholy, and serious feminine energy to keep said whimsy from unraveling into precious bullshit.

Anyway here are some more David Klein pictures. Here's the solar system, and a king:





And some movie posters. I'm so happy he did the Return of the Jedi poster; Return of the Jedi is the first movie that I ever obsessively loved. It's the first anything I ever obsessively loved, and on my sixth birthday my mom took me to see it for the third time, and then we went out for pizza, and that's the day Denny Wilson died. I kind of wish this poster were just all Ewoks and Leia, but it's okay. The red guards look pretty great.




And here is "Wine Book." I don't love "Wine Book" but I wish I did. 



Mostly I want us to do another Strawberry Fields Whatever Diet and have David Klein paint everything we eat for that week. My most recent great eating day was Saturday: I went to the Inn of the Seventh Ray with Sarah and we ordered the exact same thing, a la the week before when we went to rock-and-roll Thai and each got pumpkin stir-fry + purple rice + wine. This time it was a champagne glass of Love Potion #9 (kombucha, damiana, jasmine flowers, I forget what else) and a salad of cashew-encrusted tofu + bok choy + baby onions + little wisps of carrot. After lunch I went to Hidden Treasures and got a perfect camel-colored cashmere v-neck sweater for 12 bucks, and then I met up with my housemates and we went to this adorable pizza parlor in the middle of Topanga Canyon. We got a gigantic plate of hot garlic knots nicely buried in parmesan; my pals had beer and I had some good cheap chardonnay. Later in the night we went to a wine bar in Burbank and ate a plate of zucchini fritters with garlic flowers and creme fraiche and raw honey, and a bowl of beets and burrata. I'd never had garlic flowers before: they're all tiny and delicate with these prissy little white petals, but they taste so intensely of garlic. I also had picpoul for the first time, and am now a passionate picpoul fan.

So, I want David Klein to paint all of that, along with some McDonald's sundaes, the coconut and/or banana flaming margaritas at my favorite Mexican restaurant in my neighborhood, some jam jars, some ice cream cones, every cake I've ever seen. There's some cake in this "Lucky Whip" painting, which I want to stare at all day - check out that hunk of lemon meringue pie! Ever since Matthew McConaughey talked about his dad drinking a Miller Lite and eating lemon meringue pie in heaven, I've been dreaming of doing the exact same thing, but on Earth.



I also want David Klein to combine my food life and my music life, and make a picture of every food ever mentioned in a Beastie Boys song: French toast, pannekoeken, Rice-A-Roni, Dunkin Donuts, Krispy Kreme, cherry pie, cherries, apples, peaches, plums, etc. All of it. All of the Beastie foods.



AND BASEBALL. I guess David Klein designed MLB sheets and bedspreads and pillowcases or something? I'm into it. I've always vaguely cared about baseball, but it wasn't until last year that I fell in love with the Boston Red Sox and figured out why people need baseball to live-- it's because watching your home team keeps you psychically connected to where you came from, and therefore allows you to travel through both space and time while sitting in your living room or on a barstool. Baseball is sci-fi magic. So I want a Red Sox tote bag, designed by wonderful David Klein.

Our Weekly Mad Men Column: Liz & LJ on "Field Trip"

$
0
0


BY LAURA JANE & LIZ

LJ: Every Mad Men Monday morning I wake up feeling like my heart is going to explode with excitement. I am very hyped to watch the new episode of Mad Men. I sync up a pirated episode a nerd who is a stranger has uploaded to my favorite ugly trashy website, "Project Free TV," and let it load while I drink coffee and eat toast. After I finish my toast, it's time for me to start pestering my boyfriend, who sleeps like he's dead. Me whining "Wake up and come watch Mad Men with meeeeeee," is a hallmark of the Mad Men Monday morning ritual. He rarely bites. Last week, I even went so far as to make him a cup of coffee and waggle it under his nose, which worked. But this week he wised up. "Don't you have some exercising to do?" he asked. Sadly I admitted that I did. So then I had to suffer through forty minutes of exercise before it was time for Mad Men. That was a rough one. 



First things first- I think it's really cool how Dawn and Don have the same name. When I was a kid it was used to bug me a lot how characters in books and movies never had the same name, even though that's totally something that happens in real life. It's wouldn't even be confusing for the viewer/reader, because we all know that there is a perfect solution to two people in one situation having the same name: their last initials get involved. America's Next Top Model knows this. On ANTM Cycle 20, which I am very familiar with, as I recently binge-watched the entire cycle in 4 days, there were two guys named Chris: Chris H, who was the WORST, and Chris some other last initial that I forget now, because he was voted off very early into the season. Anyway, I am very happy to see that Dawn C is holding shit down as the new Joan H, and was even happier to discover that Megan C is doing crappily in L.A. I am not a Megan fan; in fact, I hate Megan. I am sure Jessica Pare is a very nice lady but I wish she would never act in any movie or TV show ever again. Megan's chill agent is definitely my fav new character of Season 7 so far (Take that, Roger Sterling's hippie girlfriend), and my fav thing that's happened is a tie between the time he said "You're my favorite couple," to Megan and Don D after knowing Don for five seconds and the time when Ted Chaough put a slice of dry toast into his mouth and walked away.



I liked Betty a lot this episode. I'm pretty obsessed with trying to piece together the crux of Betty's obviously disordered relationship with food. I feel like there might of been bulimia implications in her willingness to share the coffee streusel cake with Francine (Always good to see what's going on with Francine, by the way. Sup Francine), and I thought there was a really interesting metaphor in how for lunch she drank fresh cow's milk out of a bucket but was deprived of the sandwich she packed herself- the sandwich was a prop in the phony illusion she was trying to create, but the cow's milk was pure. She didn't get to have the sandwich because the lie-life was never realized. It gaped in the middle and fell apart. She got to have what she got to have. She got to drink warm cow's milk out of a bucket. 

I've had a really weird work month in April. At first I was just miserable being assistant manager and working all these crazy doubles and then I had a cool Clash-related revelation and stepped down from any sort of managerial position at my restaurant. Now I'm a part-time server! The role I was born to play. Plus I took a sabbatical (not really a sabbatical) from the location of my restaurant I've been working at since Octobes to cover for the assistant manager at my OLD location (where I worked from August of 2012 until Octobes), who went to Mexico for Easter (as one does). And then I came back for my first work weekend as a part-time server and felt tiny and weird and alone. I related to Don Draper a lot throughout his bummer sitting at a table all day SC&P day. It sucks to feel like a weird loser and watch your old job you were good at be usurped by an even weirder loser who kind of sucks at it. I'm noticing that Don Draper's looking a little dumpier than usual this season. His face looks like a fatter, wider square. Is it because Don Draper's character is in a bad place and they're making him look dumpier, or is it just because Jon Hamm is aging? Anyway, stoked to see Don D back at Sterling Coops. SC&P, his only true fam. 




In conclusion: what the heck is up with Kenny Cosgrove's poor eye? Does he have no eye? Was his eyeball literally blasted out of his head? Or is it just damaged? Will he ever not wear an eyepatch again? Will he have a glass eye when he takes his eyepatch off? Please address this extremely pressing issue, Mad Men Season 7. Signed, Laura Jane. 



LIZ: This is my least favorite episode so far this season. Mostly I wanted to go back to the last episode and sit with Sally and Don in that diner for another hour, and talk more about the truth and being so many people. I also resent "Field Trip" for increasing my disappointment with Peggy Olson's lack of imagination in reacting to bullshit behavior, since disappointed-in-Peggy-Olson is an emotion with which I am intensely uncomfortable. But the use of "If 6 Was 9" in the "Field Trip" end credits was really hot, and it's Mad Men so of course it's automatically better than almost anything. Here are some moments I found to be of value:


-I liked when Don went to see Roger and asked him, "How do you sleep?" Basically the only other man who's ever asked that question of someone with whom he's engaged in a fractious yet charmed friendship is John Lennon, so I appreciated the reference.
        The other best Don moment is when he's alone in Megan's house and going through her liquor and picks up the Kahlúa bottle and makes that judgy-about-Kahlúa face: I just think it's cool that he's so over Megan and her lame lifestyle choices, he has to throw shade at a bottle of Kahlúa when there's not even anyone around to see it.

-I was also happy to see Francine again! What a hot ticket. And I love Betty's blue nightgown of faux-contemplation. Scrubbed-clean-of-makeup and sad-faced is a beautiful look for Betty - like, the one where her dad dies and it's nighttime and she's sitting at the kitchen table with Don and her gross brother, and she's eating a peach from the bag of peaches that was left in the car all day, and her hands are all peach-juice-messy and she really looks like she's been crying forever? Stunning.


-But the best "Field Trip" look belongs to Joan, in her rose-covered dress and big black boots. I'm tempted to call it "business-kinderwhore," but it's so much more than that. Also I'm sad that Joan and Don's sexy bromance appears to be done like dinner, but being careless about Joanie/Jaguar is maybe the one thing I'll hold against Don Draper forever.



-This episode really drove home how much I miss the old Bobby Draper, the pointy yet soulful-eyed one in between the current Bobby Draper and the one who says "We need to get you a new daddy" after Don talks about how his father's dead and loved ham. The new kid's too perfectly round-faced, and also kind of a hack, and this is definitely the least I've ever cared about someone wearing high-top Converse and a red baseball jacket and holding a baggie full of gumdrops. (Sorry, "Mason Vale Cotton"; I know I'm being superbitchy.) 


-I love Dawn. I love how she loves Don and is sort of under his thumb, but also totally takes care of her own shit. Also really cuted out by the porcelain cat statues on her desk, especially the one to the left by the pink flowers, who looks like it's saying hey:


The other "Field Trip" thing I'm going to complain about is how we finally got to see Betty, but then there was no Sally or Ted or Pete. I mean I know that casting budgets exist or whatever, but why can't we have Betty and Sally and Pete and Ted all in the same goddamn episode? And speaking of Pete and Ted, I really need to point out how, in episode two, during the telecon that made Pete wonder if he's dead, I deeply enjoyed how Ted's calmly fiddling with some small flat object I can't identify while Pete's being his usual beautiful apoplectic self. I just thought Ted Chaough looked really cool in that moment. I like it when men are caught up in their own little worlds.

Anyway, here's the Anthology version of "How Does Roger Sterling Sleep":



Excellent, Average & Terrible Things I've Recently Eaten: A Medium-Heavy Story About A Bagel

$
0
0

BY LAURA JANE/ ILLO BY JEN

At the beginning of April everyone on Twitter was talking about how Susan Miller said April was going to be fucked. Some people were scared about it, and other people told them not to bother caring because Susan Miller's usually wrong about everything anyway. I haven't read my Susan Miller in forever, not for any real reason, I just stopped being able to pay attention to it. It became like reading a math textbook or everything Shakespeare wrote. My brain just sends a message to my eyes saying "Glaze over" and they obey. And then I close out of the tab. As far as I can remember, Susan Miller's usually wrong when she tells you something good is going to happen but she's usually on point when she warns you something's going to be fucked. So I was scared to find out that April was going to be fucked, since I knew April was going to be fucked anyway. And then it was. 



To be honest, only the first half of my April was fucked, but it was fucked enough that even its chill second half qualifies as being fucked just by proxy. From April 15th through the 30th, I felt shell-shocked and spacey like a person in the middle of waking up from a vivid creepy dream. April 15th was my last day as assistant manager of my restaurant; I stepped down on April 6th. On April 12th, I ate a bagel.





April 5th was a Saturday. It was a sunny, alright day out. I’d checked the temperature on the Weather website on the streetcar but the real day felt colder than I thought that temperature would be. But people were desperate, and took to the streets. Sure it was a little chilly but hey at least the air wouldn’t make your fingers fall off if you spent too much time in it. People walked down the street one way and then up back the other, doing all the things they do. Ducking into stores to try clothes and shoes on, buying a coffee. Becoming hungry. A lot of them came into my restaurant.

Spring is a horrible time to work at a restaurant. Winter is slow, and in April restaurants will continue to schedule employees like its winter. The employees get slammed and have bad days but make a lot of money. Last year around this time I was new to assistant managing and all that money seemed worth the trouble. But this year I was burnt out and tired of being tossed around and nothing has ever seemed less worth it in my life. I would have paid however much money I ended up making that day to not have to be doing it anymore. Myself and one other server- she was newer at it, weaker, less focused- were faced with an entire restaurant to serve, bus, and bartend. It was brunch service but we don’t even have drip coffee. I stood at our tiny espresso machine, something a rich guy would have had in his kitchen ten years ago, making Americanos until the boiler ran out of hot water. Dirty tables stayed dirty and people sat themselves at dirty tables. By late afternoon I felt like a strong guy’s hand was clasped around my stomach, a rubber kidney bean, trying its hardest to get me to burst. I’m a shitty hungry person. When I’m shitty-hungry I’ll tell people “I’m not a good hungry person,” and they like to be cute and ask me if I’m “hangry” but really I’m more like hanxious and hdizzy and and hunable to speak in coherent sentences. I hate to be the girl who constantly cried recovered anorexic but there’s something really terrifying about having to go back there. I punched in a “mini breakfast burrito” for myself to eat and waited as an hour passed and the kitchen didn’t make it for me. I was almost crying when I asked my head chef to please ask his sous-chef, who was running the kitchen at that point, to make me my food. As soon as the words came out of my mouth I knew I was sounding like a weird and whiny baby but in my heart and in my head I knew it was within my rights to ask for what I was asking for. There is still a part of me that feels ashamed to need to eat. And the hungrier I am, the larger and more aggressive that part of me grows. Anorexia is like a jilted ex-lover who goes out of her way to drive past my apartment on her way home from work. Her heart beats faster when she spots me in line at the grocery store. Anorexia is a crazy-ass bitch who will take whatever rotten scraps of me she can get.

That afternoon I got in a fight with my sous-chef. I don't doubt there are flecks of goodness in him somewhere but by April 5th none had shone in weeks. He would strut around the restaurant like a short broad peacock with his chest sticking out, fix himself meals like ribeye and bacon and chorizo on a buttered bun, which he called “man-meals.” Once one of my female co-workers and I were having a conversation about which Sailor Moon characters we related to most as adolescents, and my sous-chef butted in to let us know that as a boy he’d had a crush on Sailor Venus, because she had a “nice, petite little body. She looked really tight.” His last day as sous-chef of my restaurant was the day before my last as assistant manager. I told him I wished the best and he said “Same to you,” but would not look me in the eye.

The restaurant was overrun again the next day, and I had to call in my boss to bail me out. It was her day off, and she was wearing workout clothes. The air felt fresh, the world smelled like laundry. Once service calmed down we sat upstairs on the empty second floor and I told her I didn’t want to have to do this anymore. “You’re only here for another two months,” she said and I said, “Suck it up, right?” and she shrugged “No.” And in that moment the entire world opened up to me. In my head I pictured myself digging into a patch of dirt with a silver shovel. I imagined a flower growing up and through the dirt.

April 12th, six days later, I worked the last dirty double of my life. I’ve never called them “dirty doubles” before I typed those words down this second, those Saturday brunch-through-dinner doubles that ruined my life for an entire year less the three months I spent as General Manager- when my boss asked me to general manage Queen Street, the first thought I thought was, “Oh my god, I won’t have to work Saturday doubles anymore”; the second, of course, was “Yes.”

“Dirty doubles” is the perfect and maybe only way to describe those fourteen-hour Saturdays, days that started out not great but at least sort of fresh, nights that ended with my once maybe-cute outfit limp and damp and creased, my achy toes white and soggy, my core and eyelids burning from what would have counted as too much coffee three coffees ago.

I ate a Tim Horton’s egg-cheese-tomato bagel on the morning of April 12th because, in a rage a week earlier, I’d sworn to my sous-chef that I would never bother him for food during a brunch rush again, and had thrown together a semi-pathetic snack of dried papaya chunks and R.N.S (roasted not salted) almonds in Koreatown Tupperware to get me through the afternoon. I needed to get the day started with something heftier, brawnier, than my usual bowl of yogurt-with-a-bunch-of-shit-in-it.

I remembered about Tim Horton’s egg-cheese-tomato-bagels because of the way the sun was shining when I walked out of my front door, because the air smelled like something, and because when I turned on my iPod it was already cued up to Blonde on Blonde, and- because of the way the sun was shining, and because the air smelled like something- I listened to “4th Time Around.” Suddenly, it was four years ago again. The first of two springs I spent working overnight shifts dressing baby mannequins at a GapKids/BabyGap in a weird mall in north Toronto that was always weirdly busy because it was built in a grey and golden spot where four major highways converged. I took caffeine pills to get through it and the air-conditioning dried my lips out and I’d lick them til they burned. I’d come home still hype on crappy uppers and remember writing sentences about how my lips felt like I’d just eaten Sriracha ice cream. I remember writing those sentences and thinking, sighing, “It’s only a matter of time before Sriracha ice cream becomes a thing,” but it’s four years later, and it depressingly still hasn't.




After getting off work at 7, I’d walk down Bloor Street at 8:30 in the morning, my achy toes white and soggy, listening to "4th Time Around," which sounds like something opening up, an aperture widening, like at the beginning of the song you can only see one leaf but by the end of it you're looking at a picture of the entire tree. I'd stop into the Tim Horton’s that is now the Guu, where I’d buy myself an egg-cheese-tomato sandwich on a 12-grain bagel, with salt & pepper, which you have to order separately, and the cashier punches them into the POS like they are real ingredients. You watch them come up on the screen: << salt and << pepper. They cost $0.00. I used to get just the egg and cheese because four years ago I didn’t eat meat. It’s crazy to think about. I remember my old boss at the GapKids/BabyGap asking me, “LJ, you’re a vegetarian?” incredulously, and wondering why she couldn’t make any sense of it, but I understand it now. It’s not that I came across as being a person who didn't give a shit about anything; it’s that I came across as being a person who didn't give a shit about anything except not giving a shit about anything.

I used to make egg-cheese-tomato bagels myself, at home, in my kitchen. These days I’ll just fry an egg over-medium in red palm oil and then eat it with nothing on a slice of multigrain toast. I can do that now, eat eggs that aren’t a part of a breakfast burrito, because I made a chill choice in stepping down as assistant manager of my restaurant. I have a lot of time to devote to frying eggs to a perfect and unflappable over-medium, and the other day I successfully medium-boiled an egg as well. All I want is that gooey gel of a spirited yellow yolk. April is over as of yesterday, and I feel like the easiest possible version of myself. A spirited yet unflappable LJ cooked to medium perfection.

Our Weekly Mad Men Column: Liz & LJ on "The Monolith"

$
0
0

BY LAURA JANE & LIZ

LJ: Watching this episode of Mad Men was a really intense experience for me. It was called "The Monolith," which was a reference to the movie 2001: A Space Odyssey that I didn't catch. I only saw that movie once and retained exactly none of it; I hate shit that isn't set in real life, except Harry Potter.Anyway, I am calling this Mad Men episode "The Monolith" as a reference to the T.Rex song "Monolith," since they are both heavy and haunting and make me feel more than is necessary. On the evening of the day we watched "The Monolith," my boyfriend and I got in the hugest fight of our entire relationship, and I would venture to guess that the fight was approximately 15% "The Monollith"'s fault. I think that next week I am going to save watching Mad Men for the night rather than first thing in the morning, so I don't have to carry those emotions around with me all day. (PS: I just want to let you guys know that everything is now supes-chill between my man & I, our Monolith-fight definitely helped us grow as a couple & also- this is a brag- as part of my chill apology I sent a woodsy & masculine bouquet of flowers to his work today accompanied by a note reading "Thanks for always sending me flowers," and the really great thing about me telling you all of this is how obviously it relates to Mad Men...



The big thing for me about this episode was definitely the Roger-Mona-Margaret-Marigold plotline. Roger was definitely at his personal Rogeriest and therefore BEST. Margaret is so ungrateful! As far as deadbeat dads go, Roger Sterling is pretty much as good as it gets. What do you think his zodiac sign is? I don't even know why I bothered typing that sentence since two letters into it I realized he's the world's most obvious Libra. I bet Harry Crane is a Sagittarius. 


Roger was cool right off the bat  with the scene where he encourages Don to get drunk with him at like 9 in the morning. When Don says "No" (because of the Rules), Roger says "Good thinking," in this really great and true way that reminded me of all the times my sneaky plans to slack at work have been squashed by someone cleverer and more rule-conscious than I. Roger is so chill about his extreme selfishness; I really admire him for that. I like how he's Don's only great champion at the office, for no other reason than that he's stoked he gets to hang out with his pal again. Sterling Cooper must have been such a dull environment for Roger while Don was gone. He probably hung out with Stan a lot. 




Here's my favorite Rodge, all cutely wrapped up in a blankie. His suit makes him look like the captain of a ship. He and Mona killed this entire episode from start to finish- I mean that as a compliment, like, "They killed it!" I'm obsessed with Mona now, by the way. Maybe this is just me projecting my pro-Mona sentiment onto Roger, but I feel like part of the reason why he turned on Margaret-Marigold after she snuck out for some sneaky sex with Cletus (Was that guy actually named Cletus, or did Roger just nickname him that as a sly Rogery dig?) was because in that moment he realized that no fleeting affair with any hot hippie (or secretary!) is as truly satisfying as the sassy-cozy partnership he has with the only woman who's ever really known him, and he doesn't want Margaret to make the same mistake that he did. There's a part where Margaret accuses Mona of locking herself in the bathroom with a- I think she says pint- of gin. A pint of gin?!? That's so cool, Mona. That's such a cool amount of gin for Mona to drink. I even love that she's named Mona; such a subtly genius move from the good old Mad Men writers, the hugest geniuses there ever were. But I think my favorite moment of the entire episode was when Caroline reads Roger Mona's message saying, "Hey Genius! Brooks is in jail" in her gravelly Caroline way. Mona and Caroline were the real breakout stars of this episode for me. Flyest bitches evs. 


PS: Has a real person ever been named Ellery? 




Meanwhile, back at Sterling Coop, I could not give less of a shit about the "there's a computer in the office" plotline. One of my favorite things about Mad Men has always been that there's no computers in it. That's all over for me now. 

Hmm, what else happened? Something called "Burger Chef" is on the show now, which sounds like the name of a restaurant from today that would serve $28 burgers with truffle oil incorporated into like all of them, except there would be one healthier option made out of sushi-grade tuna that wouldn't have truffle oil on it. Ted Chaough was in the episode for about three seconds, so that was really nice of the Mad Men writers to dangle that carrot in front of my face and then DEPRIVE me of the carrot. One thing you may not have noticed about Ted's brief appearance is that he's sitting at a desk and there's a bagel on a plate in front of him! A bagel! A baaaaagel. I love when dudes I have crushes on eat foods that I eat myself


Speaking of dudes I have crushes on, Don Draper did so many cool things this week! No bagels, but still. He dickishly played solitaire and said he couldn't make Peggy's meeting, he drank vodka out of a Coke can, he had a chill little revelation spurred on by the now sage-like Freddie Rumsen's words of wisdom, he said "Ball game" to Peggy Olson in a cute, shruggy way, and -most importantly- when everyone in the Universe's least-favorite Sagittarius Harry Crane said, "Sorry you lost your lunchroom; it's not symbolic," he replied, "No, it's quite literal," and then, believe it or not, I walked right into the scene and high-fived him! "That's our Don!" I said- sighing theatrically, then looking straight at the camera, giving the audience a little wink. And that's how the episode ended. 




LIZ: I really liked how Don was always drinking Coke in this episode. I loved when he was drinking a Coke and eating a candy bar at the same time. Our Don, drinking Coke and eating candy bars, playing solitaire and reading Philip Roth, bored out of his skull on purpose. A thing I read on Vulture or Grantland or wherever talked about how when Don's lying on his office couch and staring up at Lane's Mets penant, the shot's framed so it's like he's lying in his coffin. Don Draper's not going to die at the end of Mad Men, because he's already dead right now. Don knows what it's like to be dead.
        I also really enjoyed how Don and the computer guy were always lighting each other's cigarettes. I liked when Meredith asked how his weekend was and he said "Lonely!", all faux-chipper/I-don't-give-a-fuck. I screamed when he threw the typewriter at the window, and thought it was grossly cute when he sang to Freddy Rumsen about meeting the Mets.



I'm way on board with LJ's Mona thoughts. One of my all-time fave Mona moments is that scene from before Margaret and Brooks were married, when they're in the restaurant and Brooks tells Margaret "I'll get the mussels with garlic if you do," and Mona stares at them for a few dreamy seconds and then says, "That's sweet." I think about that part a lot.



And I loved being in the car with Mona and Roger. It felt like being in a car with my grandparents on the ride home from Sunday dinner at a steakhouse when I was five, only with way spicier conversation. It was cool when Roger described Margaret as "so cruel, so serene." Cruel/serene is an interesting word pairing. Roger Sterling is a poet.



Margaret's Neil Young-y suede poncho thing was pretty sick. And the thing in this episode that meant the most to me was when Mona and Roger first get to the commune and Margaret's telling them how she's over society or whatever, and she keeps her creepy/blissed-out smile on and says "I don't pray to that anymore." It's good to have a nice, punchy one-liner to throw out there when you want to be really chill about rejecting the lifestyle choices of others. I like to say "I don't really happen on that level," which I stole from Rodney Bingenheimer, but "I don't pray to that anymore" brings it into a whole other dimension of sanctimoniousness. Cool job, Marigold.



I screen-capped Roger smoking on the porch too! I had to include my pic as well, I love it so. And I'm so crazy about how he's wrapped up in what's maybe an old sleeping bag. Broken men wearing sleeping bags and smoking on porches in the morning light are my new muses.


And these guys. Love these guys. I know it's a lot to ask, but I'd really love for them to go out drinking sometime. I want them to drink margaritas, share cigarettes, talk shit, be really funny, get new dudes to go out with. Ideally some dudes who are 100% not terrible, like every dude either of these two has ever paired off with in all of Mad Men history.


Speaking of babes, what do we think of Bonnie? I dig that she's so cutthroat, and that Pete's so into her cutthroat-ness. And it was adorbs when Pete introduced her as "my girlfriend": Pete Campbell with a girlfriend! A thing like that.



And yeah oh my god TED CHAOUGH WITH HIS AMAZING BAGEL. I like how Pete's not eating a bagel, he's got a danish, he'll never shake off his bagel snobbery. I so love a man with convictions. 
Viewing all 221 articles
Browse latest View live